There is an exciting scene of professional designers, artisans and artists that continue to revitalise the centuries-old craft today.
From rugs and wall hangings to artistic installations and subversive interventions, contemporary expressions of the craft are as diverse as they are numerous.
Weaving – Contemporary Makers on the Loom presents a survey of this vibrant revival, with profiles of over twenty contemporary weavers:
Argentinian Alexandra Kehayoglou, designs breath-taking natural landscapes (for the likes of Dries van Noten), while Daniel Harris (UK) makes textiles for famous clothing brands using nineteenth century looms.
Brent Wadden (Canada) weaves beautiful, museum-standard fabrics.
The book includes images of their studios, work and inspiration and indepth essays on the craft’s relationship with themes such as emancipation, migration and new technologies.
The featured weavers in the book are Alexandra Kehayoglou (Argentina), Allyson Rousseau
(Canada), Brent Wadden (Canada), Christy Matson (US), Daniel Harris (UK), Dee Clements (US), Diedrick Brackens (US), Dienke Dekker (Netherlands), Eleanor Pritchard (UK), Erin M. Riley (US), Genevieve Griffiths (New Zealand), Hermine Van Dijck (Belgium), Hiroko Takeda (Japan), Ilse Acke (Belgium), Jen Keane (UK), Judit Just (Spain), Karin Carlander (Denmark), Kayla Mattes (US), Lauren Chang (US), Rachel Scott (UK), Rachel Snack (US) and Tanya Aguiñiga (Mexico). In the Weaving Futures section are included Jorien Wiltenburg, Philippa Brock (UK) & Jen Keane (UK), amongst others.Author Katie Treggiden is a design writer with almost 20 years’ experience in the creative industries. She is a Fellow of the Royal Society of Arts and a Trustee of the Leach Pottery. She regularly contributes to publications such as the Guardian, Crafts Magazine, Elle Decoration, Design Milk and Monocle24. She has written four books including Urban Potters: Makers in the City – also for Ludion – and launched an award-winning design blog and independent print magazine. She is currently studying for an MSC in the History of Design at the University of Oxford.
Text & image: Katie Treggiden
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