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Lisio Foundation – Florence

01-palio.bluFlorence has been one of the most important centres of textile culture since the Renaissance. The Lisio Foundation in Florence, Italy, organises courses and seminars in English for institutions or private groups on specific historical, technical or practical themes, and for individual training courses and developing research projects.

The courses are aimed at students, technicians and textile designers and the school program provides full immersion classes on : analysis of textiles and laces, conservation and creating jacquard textiles.

The educational program has been designed to broaden textile culture and ensure the preservation on antique techniques. The Lisio Foundation school also has looms for figured silk velvets and gold brocades.

The Foundation also manufactures to order, various forms of figured silks. The designs and patterns of the collection are part of the legacy left by the original LISIO Silk Mill. They represent all the decorative typologies in vogue between the Middle Ages and the early 1900s either reproduced from original period textiles or reconstructed from depictions in paintings by the great masters of Italian art.
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Profile: Gainsborough Silk Weaving Company

SONY DSC Gainsborough Silk Weaving Company is one of the oldest working commercial mills in England. Gainsborough was established as a Jacquard weaving mill by Reginald Warner in 1903 and has been at its present location in Sudbury, Suffolk since 1924. The mill represents a confluence of the past and future of the British weaving industry.

Gainsborough  could be described as a working museum with 15 working Hattersley looms, which are in some cases up to 100 years old, making up the majority of the factory machinery. Despite their age, these looms still produce the beautiful cloth for which Gainsborough is best known.

With many of the original punch card sets still intact, these designs date back to when the mill was first established and the quality of cloth produced remains insurmountable.

Gainsborough has helped furnish some of the most influential and important buildings around the world, from Tokyo to Moscow, and Washington D.C. to Kuala Lumpur. Awarded the Royal Warrant in 1980, Gainsborough has produced many fabrics for the Royal Family and state buildings,  which include amongst others; Buckingham Palace, Kensington Palace, St. James’s Palace, Winsor Castle, The Houses of Parliament and the vestments at St. Paul’s Cathedral.

With both old and modern looms, adopting traditional and current technology, Gainsborough  are able to cater for a huge range of clients. Everything from the dyeing of yarns to the woven fabric is done in-house, and despite what the name suggests, Gainsborough is not limited to silk weaving. They have wool, cotton, linen, viscose and silk yarns in stock and are willing and able to weave any yarn that the rapiers will take.

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Dashing Tweeds: flagship store

Dashing Tweeds - New Shop - Press Release 2014 KirstyDashing Tweeds has opened a new flagship store at 26 Sackville Street, London, W1 in the heart of London’s famous tailoring community centred on Savile Row. Their reflective urban tweeds and new season designs will continue to push the boundaries of visionary clothing for men within their new store.

This season’s collection include a bomber jacket woven in a wool and rubber honeycomb giving a very masculine chain mail look but with great lightness. For spring they have completely redesigned the reefer coat in a very modern functional cut using an originally designed Donegal tweed.

The focus of the new store is their ready to wear collection which  aims to be the most inventive and highest quality in town.

In a unique model Kirsty McDougall and Guy Hills design all their own fabric collections for use in the collections. This enables unadulterated concepts to be delivered to the store and by using mills and manufacturing in Britain top quality can be assured.

For more information visit  www.DashingTweeds.co.uk or contact Guy@DashingTweeds.co.uk or Kirsty@DashingTweeds.co.uk Continue reading →

Dash & Miller: QEST Scholars 2013_14

Juliet Bailey weaving image 1 LRFranki Brewer and Juliet Bailey of Dash and Miller have been awarded scholarships by the Queen Elizabeth Scholarship Trust for their proposal to undertake an in-depth research project into woven textile manufacturing processes existing within the UK today.
Dash & Miller Studio has been creating hand-woven design for the textile industry since 2009, working with both national and global clients in all areas of the fashion and interior fabric sectors. The designs, which are all created on hand-looms at the studio, are often then utilised by the client in the development of mass-produced commercial fabric on an industrial scale.They exhibit regularly at Indigo trade fair, Paris

Franki and Juliet seek to expand their knowledge of industrial spinning, weaving, dyeing and finishing processes both modern and traditional in order to inform their own hand-woven designing. By applying for The Queen Elizabeth Scholarship Trust, Franki and Juliet have secured funding and support to complete their research project, which will culminate in a number of talks and presentations in late 2014.
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The Gieves & Hawkes Lecture: The Textile Institute

Textile Institute 27 feb simon baker

Glithero: Woven Song

woven_songs-1169_4Woven Song is a work about making woven textiles from organ music punch cards. Commissioned by the Zuiderzee Museum in the Netherlands, the project bridges the worlds of two craftsmen, a weaver and an organ maker, who in each case use a system of punched cards to inform the behaviour of a machine, a loom or an organ. Glithero worked alongside life-long weaver Wil van den Broek and master organ maker Leon van Leeuwen to understand the techniques of their crafts and learn if it would be possible to translate one coded art form into the other, to in effect, weave music.

The project forms a self-contained exhibition that presents the material outcomes – fabrics and artefacts, and a two screen video projection that documents the story of the project. On one side that of the organ maker and the other the weaver, who’s stories run concurrently. The dancing hands of the craftsmen form a graceful choreography that echo from one screen to the other, focusing on the uncanny resemblances betweens the crafts and the craftsmen’s stories, at times synchronising, overlapping, diverging, and mirroring.

woven_songs-1169_3The use of parallel stories draws attention to common themes, traits, challenges about the preservation of wisdom and heritage. By means of collaboration, Glithero encourage the craftsmen to look upon themselves, their working lives and their legacy from a new vantage point, and by leading them both away from the conventions of their crafts they create new outcomes that are challenging and miraculous. The exhibition not only comprises the final products of this quest, but also the very elements of the quest itself.

Glithero are British designer Tim Simpson and Dutch designer Sarah van Gameren, who met and studied at the Royal College of Art. From their studio in London they create product, furniture, and time-based installations that give birth to unique and wonderful products. The work is presented in a broad spectrum of media, but follows a consistent conceptual path; to capture and present the beauty in the moment things are made.
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New weave company: Chalk

Squircle-Outline-Sage-Cushion-50cm-x-50cmChalk launched its first range of woven products in July 2013, at Harrogate’s Home and Gift fair and was awarded “Best New Product” at the show.

Chalk’s founders are Kerry Stokes, an experienced freelance woven textile designer in furnishing and fashion fabrics and Richard Bush who previously ran an interior furnishing business.

Kerry Stokes commented that “We’re delighted at the positive response Chalk has received so far. We’ve loved the whole process from the initial inspiration through to the final photo shoots. It’s immensely complicated and fascinating”

Chalk made  contact with prospective stockists and buyers at the fair, and is now becoming an established company within the home market in the UK.

BannerChalk currently offer a range of woven soft furnishing products, including blankets, throws and cushions, all woven and made in the UK. The products are woven in merino lambswool and are partly inspired by the Sussex land, seascapes and architecture, where their business is based. There are six designs in various colourways, squircle outline, full squircle, beacon, prism, fern and reeds.
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Bonnie Kirkwood: woven texile designer / open studio

Bonnie Kirkwood 3Bonnie Kirkwood is a professional woven textile designer and consultant, based at Cockpit Arts studios in central London. She is showing at  Cockpit Arts Summer Open Studios, Holborn – 7th – 9th June 2013  www.cockpitarts.com

An RCA 2007 graduate, Bonnie has an in-depth knowledge of hand weaving, industrial and production techniques, and an extensive and varied experience in the industry.

She provides a comprehensive professional design and fabric consultancy service for mills, architects, trend forecasters and individuals, providing technical advice for weaving and fabric qualities, inspirational concepts, trends and colour direction.
She currently works closely as a fabric design consultant for European and Far Eastern mills, designing, co-ordinating and developing seasonal collections for the furnishing fabrics and interior design industry.

As a freelance designer, she offers broad collections of hand woven and jacquard woven fabric designs, selling to highly recognised fashion and interior design companies. Her style combines luxurious yarns, intricate structures and an original colour palette into highly refined and sophisticated fabrics. She also works part time as a menswear textile designer for a prestigious London Fashion House, and previously worked for interior design company Designers Guild for several years. She also is a visiting lecturer on BA (Hons) Textile Design courses

Bonnie can be seen weaving on this film : https://bit.ly/bonniek

For more information, contact Bonnie Kirkwood on 07813666907, email: www.bonniekirkwood.com
Web:www.bonniekirkwood.com Address: Studio E2R Cockpit Arts, Cockpit Yard, Northington Street, London. WC1N 2NP, or visit

Photographer : Yiannis Katsaris

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Bute Fabrics Ltd: a company profile

031Bute Fabrics was established in 1947 by the 5th Marquess of Bute in a philanthropic move to provide employment for returning WW2 service personnel.

Originally weaving fabrics for haute couture apparel, in the 1970s the business moved to contract upholstery fabrics, championing the use of wool for both the domestic and export markets.

Today, Bute Fabrics is still owned by the Bute Family, with the 7th Marquess currently in charge. Bute’s reputation has been built upon producing high quality, durable, contemporary fabrics for the auditoria, hospitality, contract and aviation markets. Offering both a standard range of products and the in-house design of bespoke fabrics, Bute’s fabrics are installed in key projects around the world such as Hong Kong Airport, the Royal Festival Hall, the Sage Gateshead, the Queen’s Galleries in Buckingham Palace and the Palace of Holyrood, the London Excel Centre and Yale University.

Bute Fabrics offer a commission weaving service, weaving on Dobbys 16 shaft. Yarn types: worsted yarns, woollen spun, chunky, and boucles (max .45N). They have a large yarn bank including 2/27, 2/18 and 2/13.5nm. Stock dyed, hank dyed and piece dyed.

They offer bespoke design and weaving at no extra charge, 1.4 wide normally but up to almost 2m, normally 50m minimums depending on weights/compositions for apparel, upholstery and curtaining. Full contact details can be found here in The Weave Shed in the suppliers and services: commission weavers section.
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