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West Dean Tapestry Symposium

Black Cat for Tracey Emin woven at West Dean Tapestry StudioSymposium: What is handwoven tapestry’s place in contemporary art?
Date: Friday 31 July 2015
Venue: The Old Library, West Dean College, West Dean, Chichester, West Sussex
Time: 11.00 – 17.00
West Dean Tapestry Studio, one of only two commercial studios in the UK, has announced a Tapestry Symposium to be held at West Dean College, internationally renowned for Creative Arts and Conservation. The symposium will explore the status of hand woven tapestry within the context of contemporary art and craft practices.

Lesley Millar Portrait2 Photo Credit - Damian ChapmanSpeakers include; Professor Lesley Millar, Director of Anglo Japanese Textile Research Centre at the School of Craft and Design;

Yvonna Demczynska, Founder and curator of Flow Gallery in Notting Hill, a consultant for the Crafts Council.

“A distinct feature of art can be its immediacy,” says Alison Baxter, Head of Creative Enterprise, West Dean Tapestry Studio. “Hand weaving is a time-rich creative practice and by its very nature the making of a tapestry is a lengthy, highly skilled process. Hand weavers are producing complex and innovative pieces.”

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Symposium: Threads and Codes

Scan10006Threads and Codes Symposium at Goldsmiths, London, March 6th 2015
Research symposium: Threads and Codes
www.kairotic.org/threads-codes/

Time: 10am-6pm
Venue: 137 Richard Hoggart Building, Goldsmiths, New Cross, London SE14 6NW

Register online (by 1st March): www.is.gd/threadscodes
Price: £7 (£5 concessions), including lunch.

The Weaving Codes, Coding Weaves project explores the practices of weaving and computer programming together, considering both looms and computers as algorithmic environments for creative work with pattern.

The connection between computing and the Jacquard loom is well known, but the project researchers want to go deeper in history and philosophy, to investigate traditional work with threads for its digital nature, including the genesis of discrete mathematics in ancient looms.

This will provide an unravelling of contemporary technology, finding an alternative account of computer programming with its roots in arts and craft. On this basis this symposium will investigate contemporary theoretical points where textile and code-based crafts connect.

All interested researchers and practitioners are warmly invited to join the project for Threads and Codes, an all-day symposium which will consist of diverse talks and panels exploring the above topics, co-organised by Dr Ellen Harlizius-Klück (International co-investigator), Dr Alex McLean (principal investigator) and Prof Janis Jefferies (project partner). The results of the symposium will feed into a special issue of Textile: The Journal of Cloth and Culture.
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