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Research: Norwich Fabric | Project Zeeuwsmuseum

6 April 2018 Exhibitions / General / New weave developments / Reseach
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Remi Veldhoven, is a textile designer and textile researcher from the Netherlands. She is researching a fabric from around 1750-1800 which was used in traditional clothes in the Netherlands, and produced in the Norfolk area (mostly Norwich), England.

She is working with the Zeeuwsmuseum (Middelburg, the Netherlands)  who will be having some garments made out of this Norwich fabric and they are planning to make an exhibition about this fabric in May 2019.

For this exhibition Remi Veldhoven has been asked to research the production process of the Norwich fabric and to design a new fabric inspired by the old one, using industrial production methods.

From the old fabric, she knows the different steps of the process (a document outlining this can be sent), and for the new fabric she would like to design a similar fabric and compare the industrial production steps, time, costs and people involved with the obtained data and characteristics of the process from the old fabric. Continue reading →

Competition: The Wool Innovation Prize

4 April 2018 Competitions / Exhibitions / General
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Wool Innovation Prize

The Wool Innovation Prize is to be offered annually to any individual who shows the most innovative use of wool in any commercially viable application. A prize of up to £10,000 will be awarded together with a merit certificate to the winner, which will be presented at a City livery dinner.

The prize will be promoted through a number of magazines, agricultural shows, Textile Societies and research organisations. Applicants should apply on line through the Campaign for Wool. The winner will be announced at the end of September every year.

The prize is being awarded by the Worshipful Company of Woolmen and the Company of the Merchants of the Staple of England Charitable Trust.

Background
The Worshipful Company of Woolmen, one of the oldest livery companies in the City, and The Company of the Merchants of the Staple of England, a national livery company based in York believe that they should do more for the industry from whence they came, namely the Wool Industry. Both have very long pedigrees going back to 1180 for the Woolmen and 1283 for the Staple.

The Industry has suffered long term decline in the UK over many years. There are now some signs that the industry is beginning to show an upturn and both Companies wish to recognise this and make a contribution to supporting innovation in the use and application of wool.

The Prize
The prize will be awarded annually to any individual who shows the most innovative use of wool in any application that is considered commercially viable and subject to the project being of sufficient originality and quality. Open to individuals using wool in apparel, non-apparel, agricultural, horticultural, medical, and industrial applications.
The winner will need to be able to show that the innovation will be developed from the United Kingdom, although the nationality of the individual is irrelevant. Continue reading →

Exhibition: Inner Sounds

3 April 2018 Exhibitions / General / New weave developments
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Fourth Biennial Exhibition of Contemporary Woven Tapestry Art

Inner Sounds, as a woven tapestry art exhibition, is the latest in a series of biennials showcasing the individual creative practices of members of the British Tapestry Group South East (BTGSE).

The theme of the exhibition explores types of listening, visualised in a world saturated with sounds and images, with the intention of raising awareness whether as viewer, listener or tapestry weaver.

The exhibitors have explored their responses through the medium of woven tapestry to create rich and varied works of art. The tapestry art on display will include works from all members including those who exhibit nationally and internationally as well as from those who are at different stages of their artistic journeys.

Dates: Wednesday 4th April – Saturday 21st April (Tues – Sat)
Open: 10.00 – 5.00pm daily
Private view: Tuesday 3rd April from 6.00pm to 8.00pm – Press welcome
Venue: Haslemere Museum, 78 High Street, Haslemere, GU27 2LA Continue reading →

Exhibition: 1580 | Space & Volume

5 March 2018 Events / Exhibitions / General / New weave developments / News / Reseach
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Dates: 5th March – 25th April 2018.
Meet the Maker: 21st March 2018
Address: The Guy Goodfellow Collection Showroom,
15 Langton Street.
London. SW10 0JL.

During London Design Week 2018, Master weaver, Philippa Brock showcases her three dimensional  woven textiles work, in the Guy Goodfellow Collection Showroom  as part of their “Makers Tales” series. A celebration of innovation in constructed textiles.

Philippa is showing some of her new abstract works, from the series  ‘1580: Volume and Space in the Third Dimension’,  informed by endless repetition, medieval ruff sizes, cellular kite construction and psychedelic honeycomb mushrooms.

This work explores the experimental weaving of multiple vertical interconnecting layers, that expand into 3D forms once removed from the loom. These pieces are sized and suspended, resulting in a series of abstract kinetic works interplaying with shadow and form. Continue reading →

Exhibition: Tactile Tectonics

4 March 2018 Events / Exhibitions / General / New weave developments
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Tactile Tectonics – Weaving Nature in 3 dimensions

Stacey Harvey-Brown
7th April – 12th May 2018
Wed – Sat 10-4pm (May 6th 11-4)

Tactile Tectonics – informed by geology, erosion and the sea, tubular woven Growth Forms and undulating Strata Walls explore an evolving world of dimensionality and tactility in textural weaving by Stacey Harvey-Brown. Metamorphosis from rock to coral to medusa, all is possible with imagination, natural and manmade materials and versatile weave structures.

Stacey Harvey-Brown draws from natural forms found wherever she has travelled (New Zealand, Europe, US, South America). Limestone cliffs, stalactites, strata layers were the initial inspiration behind Tactile Tectonics and developed during her Masters degree (University of Derby, 2011-14), but audience interpretation from joint exhibitions in New Zealand, North-West US (2014), Switzerland (2015), and Holland (2016) has led her recently to explore similar albeit living formations found in the sea – medusa, nudibranches, flatworms, seaweeds, corals – and develop some wearable pieces. Made to be touched, this is a tactile exhibition. Continue reading →

Exhibitions & Events: Dovecot Studios

26 February 2018 Events / Exhibitions / General / New weave developments / Workshops
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Baths to Bobbins 10 years at Infirmary Street
From 29 March 2018

The Infirmary Street Baths were the first public baths in Edinburgh, built in 1885 by Robert Morham. Following the enactment in 1846 to Encourage the Establishment of Public Baths and Wash-houses, baths were built in Scotland from the 1850s to provide accessible washing facilities to improve public health. Until the 1870s women had to attend at different times from men. In the Ladies Baths space at Dovecot, we see an example of their needs being considered in the building design.

Dovecot was originally located at the site of the Corstorphine Castle, before moving in 2008 to Infirmary Street following a 2 year renovation and restoration project of the former Victorian baths building.

Celebrating 10 years of weaving in the Infirmary Street Baths, Dovecot will share some memories on the Tapestry Studio Viewing Balcony. The display titled Baths to Bobbins will explore memories of those who attended the Baths, the stories of the old Studio in Corstorphine, the saving of the Infirmary Street building and its conversion to a modern tapestry studio.

Screen for Another Focus | David Penny

25 May 2018 to 11 July 2018

As part of the 10-year anniversary of Dovecot’s new life at the old Infirmary Street Baths, Edinburgh, artist David Penny has created an exhibition of photography and video work interpreting the extraordinary craftsmanship of the weavers at Dovecot Tapestry Studio. Penny is interested in the materiality of objects and the aesthetics of technology as well as the actions of the body.

The project comprises images, which offer a focus on the forms, gestures and structures of the process of weaving and suggests parallels between the disciplines of photography and tapestry.

From footage and frames collected during a period of visits to Dovecot during 2017, this work sheds new light on the exceptional craftsmanship and making in Scotland. Continue reading →

Profile & Exhibition: Hannah Robson

21 February 2018 Company Profile / Exhibitions / General / New weave developments
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Hannah Robson constructs sculptural textile pieces using combinations of weaving and lace-making, exploring how threads can escape the traditional vertical and horizontal pathways imposed by the loom.

She studied at Winchester School of Art before going on to the Royal College of Art to complete an MA in Woven Textiles. During her MA she developed methods for creating three-dimensional forms through textile construction techniques, which continue to inform her experimental practice.

She creates opportunities for threads of metal, paper and polyester to break away from woven surfaces, taking alternative routes through space and joining together in three-dimensions. She exploits the tensions between rigorously controlled constructions and free-flowing loose threads, balancing elements of structure and chaos within her work.

Robson was selected by the Crafts Council and Jay Osgerby to develop new ideas to exhibit as part of Collect Open 2018 at Collect: The International Art Fair for Contemporary Objects.

Her installation Ersilia is inspired by the chapter of the same name in Italo Calinvo’s Invisible Cities, in which strings are are stretched between the inhabitants of the city, creating ‘spider-webs of intricate relationships seeking a form‘.
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Volunteer Opportunity: Warner Textile Archive

21 February 2018 Awards / Exhibitions / General
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The Warner Textile Archive is seeking student volunteers to apply for The Costume Society Museum Placement Award

The Warner Textile Archive is a rich design resource documenting the successes and innovation of Warner & Sons from the late 1800s. Based in Braintree, Essex the Collection comprises stunning textiles and inspirational paper designs, as well as original printing blocks, photographs and other documentary material.

The student Volunteer would be assisting the Archivist, Hannah Auerbach George with the day to day management of the Archive Collection. Duties will include: documenting incoming donations and existing parts of the Collection, assisting with cataloguing, organising storage, answering enquiries, locating items for researchers, assisting with open days, public displays and exhibitions. They are currently seeking expressions of interest from current UK students.

The purpose of this Award is to fund a student volunteer working on a dress-related project in a public museum collection in the United Kingdom. An award of up to £1000 will be offered to the student volunteer applying jointly with an appropriate Museum. For 2018, two Awards of £1000 have been offered.

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Exhibition: Pick by Pick | Margo Selby

12 February 2018 Events / Exhibitions / General / New weave developments / Workshops
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Margo Selby : Pick by Pick. In partnership with Rochester Art Gallery

Dates: 15 December 2017 – 24 February 2018
This exhibition in partnership with Rochester Art Gallery features internationally-renowned textile artist and designer Margo Selby. They are showcasing her  hand-woven framed textiles, including new pieces made especially for this show, along with an archive of her design work which reveals the creative process.

The artworks use a technique called Lampas, a historic woven structure that was developed in the 17th century by Huguenot weavers to create decorative brocade fabrics. Margo is now using these weave structures in a new way to create  geometric framed works with a modernist feel.

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Exhibition | Woven: Unwoven

11 February 2018 Events / Exhibitions / General / News
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Peter Collingwood | Woven:Unwoven

Venue: Crafts Study Centre,University for the Creative Arts, Falkner Road, Farnham, Surrey GU9 7DS
Dates:Time: 10.00am – 4.00pm

In 1950 the young Dr Peter Collingwood decided to abandon his medical career and dedicate himself instead to becoming a weaver.

Collingwood developed a technical mastery over his weaving equipment, and tailored his creative output to what the loom would permit him to do, mindful of weaving at economic speed, with the future ‘repeat’ potential and marketability of a design ever in mind.

He gained a reputation as a teacher, making many teaching visits to America, and produced four important books on the techniques and art of weaving.

Collingwood’s first purchases of woven materials were made in his years as a recently qualified doctor, posted with the Red Cross, to help with refugees in Jordan, and he added to these throughout his life.

This broad ‘Ethnographic Collection’ displaying both completed historic and contemporary objects and samples, from Indonesia to South America, Arizona to Africa, now resides at the Crafts Study Centre.

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