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Grants: The Theo Moorman Trust

The Theo Moorman Trust aims to encourage and support weavers in the United Kingdom to enjoy artistic freedom so that they may contribute to the development of handweaving and the education of future weavers.

Biennially they award grants to younger weavers in the early stages of their careers who show potential and commitment as well as to more experienced weavers for a particular project or for time out to develop their work.

The Theo Moorman Trust for Weavers has been in existence since 1990 and aims to be a valuable resource for both young and experienced weavers. The Trustees want to ensure that the grants that are made enable individual weavers to maintain a high standard of work, and through this, to promote weaving as an art form.

Often a small grant can make all the difference at a key stage of development, by allowing time to think through ideas, train in a particular technique, or through the provision of a physical space or equipment. Short-listed applicants are interviewed, so that they can talk through their work in detail with Trustees.

Who may apply
Weavers living and working in the United Kingdom may apply. Whilst the Trust may fund some specialist weaving courses formal under-graduate and post-graduate studies will not be funded. Applicants need to have at least two and a half years working experience of their weaving independent of higher education (including post graduate courses) before applying. Applicants must be able to supply images of work done in the last two years. Continue reading →

Exhibition: Cathedral of Cloth

Stroudwater Textile Trust is committed to maintaining Gloucestershire’s rich textile heritage, whilst promoting past and contemporary textile art and craft.

Cathedral of Cloth at the Museum in the Park, in Stroud, celebrates the life and times of Ebley Mill over a period of 200 years. Images, artefacts, and sound. Ebley Mill, still standing and renewed as the local council offices, was the largest in the South West.

The exhibition is made possible by a significant grant from the Heritage Lottery Fund.

Dates: Feb. 3rd 2018  to March 4th 2018 –
Time: Tuesday – Friday: 10am-4pm (closed Mondays) Saturday, and Sunday: 11am-4pm

Text and image: Stroudwater Textile Trust

Exhibition: Soft Engineering | Textiles Taking Shape

Three leading textile artists will be exhibiting their innovative work in Winchester Discovery Centre, City Space from 13 January to 18 February 2018.

Having pursued separate careers in knitting and weaving, Deirdre Wood, Ann Richards and Alison Ellen found they had many common threads that have now inspired them to work together on this joint exhibition.

Their different approaches interconnect and cross over in intriguing and sometimes surprising ways. Soft Engineering introduces a central theme of textiles taking shape through the interplay of raw material and structure, and the exhibition shows how this plays out in varied ways, with spontaneously emerging shapes, the repetition/shifting of simple shapes, pleating, folding, twisting, and double-sided fabrics.

These three makers create work on widely different scales, encompassing large wall pieces, garments, scarves and textile jewellery. Continue reading →

Opportunity: Action Through Enterprise Project | Ghana. 16.1.2018 vacancy filled

A Handweave graduate/technician, or similar is required for a three week Ghana-based project.

Action Through Enterprise  is a charity that operates in the far north of Ghana.

The charity helps local entrepreneurs set up in business by providing micro grants to enable them to buy equipment and materials to start trading.

Amongst those that the charity has assisted are a number of weavers who produce traditional fabric to the local market.

The environment of northern Ghana is particularly harsh, made more so by climate change, and as a result the local weavers are finding it increasingly difficult to sell their wares.

A private UK company ‘Milou Textiles’ has now been created to employ the local weavers and market their produce in the European marketplace.

Milou Textiles will return 25% of all profits from sales to Action Through Enterprise.

Milou are looking for a UK based weaver with good technical knowledge of hand weaving processes to help the weavers to adapt their practices from using their present rudimentary looms to using wider floor looms.

The successful applicant will receive an all-expenses-paid trip to Lawra in Upper West Ghana for two to three weeks in May or June 2018. For more information please contact Jonathan Hall of Milou Textiles. Vacancy Filled 16.1.2018 – please do not send applications in.

Text & images: Milou Textiles

Happy New Year

Job: Himatsingka Europe Ltd

Himatsingka Europe Ltd

New role: Sales & Product Development Assistant

Himatsingka Europe, Drapery & Upholstery Division
Himatsingka Europe, based in London, is the European sales and marketing office of the Himatsingka Drapery and Upholstery fabrics manufacturing facility, which is the largest of its kind in India, and a world leader for its class of products.

The operation is vertically integrated from pre-weaving yarn preparation to post-weaving finishing processes. The facility was built with a vision to produce Drapery and Upholstery products that epitomize cutting edge design and quality.

Over the years, its design and product development capabilities have paved the way to create products for the most recognized brands in the world. Continue reading →

Drawloom Weavers required

Drawloom Weavers

Sophie Zajicek is  looking for drawloom weavers (preferably South West UK based) to talk to about their experiences of weaving. She is doing a PhD about the transference of 2D woven structures into 3D and is currently exploring the limitations looms have on a weaver’s creativity.

Anyone with experience using drawlooms, please contact her.

Website: www.sophiezajicek.com

Email: sophie.zajicek@gmail.com

Company Profile: Objects of Matter

Objects of Matter is a textile design studio based in Milan, specialising in the production of bespoke, luxury woven fabrics using the finest quality yarns. Each unique design is conceived and executed in collaboration with their clients. Their team works closely with their clients to develop emotional stories that suit the direction and environment of each individual project and they develop all their textiles in-house during the design and development stages. Presently they work closely with the finest Italian mills to deliver manufactured collections.

They cherish the value of fabric and aims to make everyday interactions with it precious and beautiful. They feel often fabric is overlooked as a medium of its own or seen simply as an enhancing component of a garment or a product. In this regard, their specialist work aims to both respect the history and cultural value of textiles, whilst also pushing the boundaries of their creative development. They do their work to celebrate the abilities of textile designers, their willingness and their endeavour, by shaping creativity into meaningful fabric collections that are exclusive to each project.

Object of Matters diversity comes from experience working across multiple industries. As such, they aim to enrich the treatment of textiles in all environments so as to illicit positive experiences from as many people as possible. To date they have worked within the fashion industry, with automotive brands and product designers. They aim to  continue working across a range of different disciplines to both enrich the lives of their clients and to advance their depth of knowledge.

Continue reading →

Job: Technical Tutor – Woven Textiles

Loughborough University: The School of the Arts, English and Drama is seeking a high-level, self-motivated Technical Tutor to provide high quality technical teaching, research and enterprise activities in Woven Textiles

Reporting to the Senior Technical Officer, staff at this level will be experienced specialists. They will use their knowledge and experience to complement a team of highly skilled staff in supporting Foundation, Undergraduate (UG) and Postgraduate (PG) Teaching, Research and Enterprise within the school.

Working from our specialist hub facilities which include weave and jacquard workshops, the role holder will enable students to develop the understanding, skills, confidence and expertise necessary to employ the appropriate technical elements required for developing and creating their professional practice work.

The post is full-time and fixed term to 31st July 2018.

Application closing date: 8 December 2017

For informal enquiries, contact Rachael Jermyn, R.Jermyn@lboro.ac.uk

Image & Text: Rosie Moorman. Courtesy of Loughborough University

Symposium: ‘Making’ Communities | Textile Research @ CSM

‘Making’ Communities: Textile Research @ CSM |  TFRC Symposium

Date: 25 November 2017
Venue:
LVMH Lecture Theatre
Central Saint Martins
1 Granary Square, London N1C 4AA
Time: 10.30am – 16.30

About: TFRC is a research community at the University of the Arts London, based at Central Saint Martins’ Textile department. They explore how materials and textiles can enable more inheritable futures. TFRC research ranges from social to sustainable as well as technological and craft innovation focusing on three core research areas: Urban Fabric, Weave Research and Material Innovation.

‘Making’ Communities will bring together practice-led academics from TFRC as well as Visiting Professor Reiko Sudo/ NUNO Tokyo and London based Studio Weave (tbc) to share latest textile and material innovation as well as new case studies of textile-led community engagement.

Future Processes, the first part of the symposium, will present insights into the sophisticated world of Nuno’s sustainable fabrics, made through innovative material recycling. Philippa Brock and Anne Smith will be re-thinking industrial processes such as loom-based 3D weave fabrication and pattern-making through lasercutting. Professor Carole Collet will present her research into designing future bio-materials with living systems.

Future Communities in the afternoon will discuss the role of textiles as a vehicle to build more inclusive communities – celebrating diverse cultural identities. London-based architecture practice Studio Weave (TBC) will present their recent projects exploring the role of colour in communities. Jo Pierce from Studio Houndstooth will discuss ludic co-design and community visibility in East London and Anne Marr will share research into local place-making with Crisis Brent. Whilst Linda Florence and Rebecca Hoyes will show how textile design can empower local artisan communities in the Middle East to develop new economic opportunities.

Tickets include light lunch and refreshments: £18 / £5 Concessions

Places are limited – please book your ticket here

For further information please visit our website or contact Hannah Cheesbrough via h.cheesbrough@csm.arts.ac.uk

Continue reading →