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Exhibition: Malin Bobeck

IMG_0719mediumThose Who Affected Me

Gothenburg Museum of Art
Malin Bobek
Dates: December 5 2015 – February 21 2016

Those Who Affected Me is an interactive light emitting textile art installation. Suspended in mid air, over 1,5 meters tall, and 2,5 meter diameter, the four winged structure invites the audience to gently touch the textile and reacts by sending colorful ripples up and down the intricate fabric.

The custom designed jacquard textile is using optical fibers connected to about 500 individually programmable color LEDs, connected to a microcomputer. Thin, electrically conducting copper threads are woven in to create touch sensitive areas inside the fabric. The 11 meters of fabric are mounted with steel rods around a steel cylinder.

IMG_9560mediumThe sculpture is exhibited in an small room with tilted mirror walls, creating a distorted universe where the sculpture is multiplied in infinity. The project started off in winter 2015 as an idea of making an interactive fabric.

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RailReed: Adjustable warp density

Juula_Pardi_RailReed_5_modulesRailReed is a new reed invention which can adjust warp density and fabric width while weaving and an alternative to open reed and fan reed, which both have pros and cons in manipulating threads while weaving.

Textile artist and Educator Kadi Pajupuu has invented and built a new type of reed. It consists of sliding modules which lets the weaver adjust the density of warps while weaving and even dramatically change the width of fabric from narrow to wide and back. The reed can be easily attached to a beater.

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Profile: Mayumi Kaneko

andonMayumi Kaneko is a hand weaver who came to the UK in 2003 and learned weaving from local weavers. She was educated in the UK and finished her post graduate course at Bath School of Art and Design in 2013.

She develops woven textures and patterns to make beautiful and intriguing fabrics, having a great passion for materials in particular paper yarn. She designs for fashion, interiors and lighting.

Using paper yarn  woven fabrics  in conjunction with lighting, exciting visual effects are  produced. The woven fabrics can be folded in different patterns which are derived from Japanese origami techniques, creating strength. The resulting faceted shapes produce the variety of light and shadow. Her lights introduce the sculptural art of lighting and whist having strong abstract and geometric forms, show clear inspiration from natural growth forms.
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Launch: The Bristol Weaving Mill

64fee7_4791f5960f6940f8b7639bffb50aa2ca_jpg_srb_p_1004_668_75_22_0_50_1_20_0First all-female weaving mill opens in Bristol

Bristol’s first all-female weaving mill will open for business in Old Market from November 4th 2015. The arrival of The Bristol Weaving Mill also marks the return of a cloth-weaving mill to the city after a 90 year absence.

Founded by Juliet Bailey and Franki Brewer, The Bristol Weaving Mill was born out of their internationally renowned Bristol-based textile design studio Dash & Miller. Over the last 6 years the pair have provided hand woven textile design and consultancy across the UK, Europe, USA, and Asia working with such companies as Calvin Klein, Hugo Boss, Ralph Lauren, and Louis Vuitton.

This new machine driven weaving mill was the obvious next step for Director Juilet Bailey; ‘naturally, if a fashion house is interested in one of our designs they will also want to have it produced, and it’s this demand that has lead us down the path of manufacturing. Also by launching the mill we take back the creative control, so that everything from the design concept to the production of fabric is created in-house.”

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Winner: Bristol Cloth Design Competition

Bristol Cloth is a  100% wool fabric of classic heritage inspired design, prioritising locally sourced materials and manufacturing processes from the South West of the UK.

Wendy Kotenko has been awarded the first prize and was presented with the first 5m length of woven cloth, in a prizegiving ceremony at the Green Capital Lab space on the eve of October 28th 2015. Wendy’s design was chosen for the delicacy, versatility and timelessness of its basketry inspired design.

First place Runner Up was given to Rebecca Connolly, for her the strength and clarity of maritime inspired design,while Bristol based Becky Smith and Sophie Graney came
a very close second with their imaginative tweeds inspired by Bristol’s cycling culture and bicycle routes.

The finished cloth will soon be available for wholesale and retail purchase. Prospective clients are encouraged to register their interest by emailing: hello@bristolcloth.co.uk

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Tilburg TextielMuseum : Fiber Futures | Art from Japan

01_FiberfutureDates: 3 October 2015 until 7 February 2016 at the TextielMuseum, Tilburg, The Netherlands.

This autumn the TextielMuseum presents ‘Fiber Futures | Art from Japan’, a showcase of 30 Japanese artists at the cutting edge of the fiber art scene. Covering wall hangings, sculptures, monumental installations, video and architecture, the works on display provide an understated but at times exuberant picture of contemporary Japanese fiber art.

All the featured artists, who include both newcomers and established names such as Jun’ichi Arai, Naomi Kobayashi and Reiko Sudō, use flexible materials that range from silk, washi paper, jute and hemp to steel wire, synthetic fibre and even recycled cocoons. Their methods show a deep respect for tradition as well as an openness to the latest weaving and dying technology.

Tradition & innovation As the Japanese saying oshime kara uchÅ« kaihatsu made – ‘from diapers to the Space Age’ – so wonderfully illustrates, textiles provide for the most basic human needs while also being integral to technical developments in industries such as aerospace. Continue reading →

TMO: The Mars Odyssey. Alexandra Lucas

_MG_9013Alexandra Lucas’s TMO: The Mars Odyssey, is a conceptual collection of Jacquard and Dobby woven conceptual fabrics that make up the six protective layers of a Mars Exploration Suit.

Her work can be seen at The Lethaby Gallery, London N1c 4AA within   ‘The Intelligent Optimist’ Exhibition,  a London Design Festival event 2015. 19th Sept – 17th Oct 2015.

Alexandra has woven concept textiles for: a radiation layer, 3 pressure layers, an oxygen and temperature layer, as well as a sensory membrane layer which detects the biometrics of the body.

She anticipates that after a period of time human bodies would start adapting to the conditions of Mars. Thus, if a layer is no longer needed it could be taken off to reveal the next layer. In the end,  the Mars Exploration Suit would enable humans to evolve and adapt over time and the suit itself would be no longer needed.

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London Design Festival

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London Design Festival starts on Sat 19th Sept 2015. See the website for many events, fairs & projects happening all over London. Fairs include: Decorex International, Design Junction, Tent London, 100% Design

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Áine Byrne: Texprint Weave 2015

1-1RCA graduate Áine Byrne is a woven textile maker and designer from Dublin, Ireland.

Inspired by the use of bright pigments used in Mexican Day of The Dead ceremonies and the sometimes irreverent approach to death in the Irish wake tradition, her work sounds dark but is actually playful and uplifting.

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Stephanie Rolph: Texprint Weave 2015

DSC_0209Tangible Impressions
physical presence in the digital world

One thing is clear; the uneasy balance between physical and digital will be one of the greatest struggles of the next generation. Tom Vavik

‘Tactile’ is becoming a buzzword for designers, journalists, technologists, and futurists alike. In today’s hyper-digitalised world we appear fascinated with the ‘real’: fetishizing the touching of physical materials and surfaces. Tactile is very much in fashion.

Tangible Impressions is a research project exploring this emerging trend; focusing on how, why and what we touch. Through photography, mark making and weaving Stephanie explores these issues and questioned: Whether textiles can record and represent physical presence in our digital world?

Like a hand print in concrete, a dropped programmatic tracking cookie on your browser or in imprint in a memory foam mattress; can textiles be part of a permanent or transient conversation between humans and physical surfaces?

Stephanie Rolph’s practise focuses on material research through practical experimentation, innovation and adaptation of traditional processes. Through weave she has created a collection of textiles that change and evolve through human interaction. Pulling, twisting, brushing, scrapping and stroking captured in highly tactile, conceptual pieces complimented by the quieter, graceful and intriguing pieces. Continue reading →