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Première Vision Designs: The Aviary Studio

Launched in the Spring of 2016, and now in their third year of business, The Aviary Studio make their debut in the Première Visions DESIGNS hall 5, stand no: 5SW46 this September 2018.

The Aviary Studio is a UK based hand weaving studio and design consultancy founded by British designer and established weaver Sarah Podlesny, a Central Saint Martins alumni who has a clear vision to inspire, and to fill the constant demand for newness in an age where ‘copying’ has become standard practice.

Fabric design is often overlooked in favour of the cut and style of a garment, wovens often overlooked in favour of print, and with this in mind, it is The Aviary Studio’s aim to put the spotlight back on wovens, celebrate their cultural importance, their versatility and the invaluable talent and craftsmanship of their makers.

Each season, extensive trend, colour and materials research is gathered, interpreted and applied through the medium of hand weaving, in order to offer a collection of directional fabric ideas that are integral to the design process within mainstream and high end retail. Continue reading →

Cockpit Arts / The Clothworkers’ Company Awards 2018

The Cockpit Arts / The Clothworkers’ Company Awards 2018

At the start of July Cockpit Arts in Deptford welcomed five weavers as part of The Clothworkers’ Company Awards. The awards, which are open to weavers who have graduated in the last five years, aim to assist weavers to set up in business by providing weaving equipment, business coaching and support. The 2018 weavers are: Sophie Graney, Vicky Cowin, Elizabeth Ashdown, Poppy Fuller Abbott, Alice Timmis and Claire Whelan.

Elizabeth Ashdown
Elizabeth’s practice focuses on hand woven, hand constructed and hand embellished Passementerie that are designed to be worn on the body as playful, luxurious and exuberant decorations and accessories. She also hand weaves bespoke lengths that are used to decorate interior accessories and furnishings. In addition, Elizabeth creates exuberant and lively large-scale fabrics that are created using Passementerie methods. Leader image Elizabeth Ashdown
i: @ashdowntextiles
email: info@elizabethashdown.co.uk

Alice Timmis
Alice Timmis is an artisan manufacturer working with the fashion industry. Her fabric collections combine industrial and hand-woven techniques and finishes. Weave is very linear. Alice tries to get away from that by treating her fabrics once they are off the loom with a range of finishing techniques including brushing, felting, shrinking and hand embroidery.

This year, especially, has been the busiest yet for her with collaborations with a number of London fashion designers for their A/W 18 collections. The fabrics that Alice created for designers were produced either by hand from her studio space in Cockpit Arts, or industrially in mills.

Working locally to London fashion designers, Alice offers bespoke and innovative fabrics that can be produced through various methods depending on the style of the client’s fashion collection.

Alice also freelances for the well established woven studio, Dash and Miller, through whom she sells her woven mixed media designs internationally to mills and well known fashion houses.
i: @alicetimmis
email:alicetimmis@gmail.com
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Company Profile: Rise & Woll

Rise & Woll is a multi-award winning design studio, offering innovative woven solutions to the interior and textile industries. Founded by Rosie Moorman and Will Evans, the duo are internationally renowned for their contemporary weaving practise and bold use of colour.

Rise & Woll aims to provide a fresh approach to surface and constructed textile design, combining the founders’ respective backgrounds in weaving, graphic and product design, experience in industry, and innate design knowledge to provide contemporary textile designs that honour the heritage of the weaving industry.

With clients ranging from specialist yarn spinners, to interior designers, to lingerie manufacturers, Rise & Woll offers a holistic approach to brief-led design.

The studio offers two in-house collections per year, available on a Sale by Design basis, with each design sold inclusive of transfer of rights and technical specification for production. Alongside this, the studio also operates on a consultancy basis, creating bespoke ranges for their clients, and short run production on the in-house handlooms.

Based in West Yorkshire, the studio is in prime location for manufacture, and work with local commission weavers to offer a seamless transition to UK based production as required. Further-afield, the studio has contacts with manufacturing plants across Europe and the far East. Continue reading →

Company Profile: Chloe Scott

Chloe Scott produces woven designs inspired by rural and urban unnoticed details, looking at macro details and simple patterns. Fabrics explore graphic motifs, padded forms and strong colours in a sophisticated approach.

Chloe graduated from Norwich University of the Arts in July 2017 with a First-Class BA(Hons) in Textile Design. Throughout university Chloe grew passionate about weaving and this became her focus.

In January 2018 Chloe decided to start her own woven design business to work on products, collections and commissions. Currently she is developing her business to begin producing home products while she develops her underlying passion to produce fabrics aimed at automotive and home interior upholstery. She is also working with The Princes Trust to gain help and guidance while beginning her business.

Since graduating last year Chloe has also exhibited her work across the UK and Internationally including New Designers (2017/2018), The Festival of Quilts, MoOD Brussels and The Sunbury Embroidery Gallery.

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TexSelect 2018: Featured Designers

©Rosa Pearks

TexSelect 
TexSelect’s aim is to select, mentor and promote the UK’s most talented newly graduated textile designers, providing an opportunity for realistic development, and a vital bridge between higher education and the real, commercial world.

Those selected for this unique mentorship programme are introduced to buyers, press and sponsors at the TexSelect London Preview and at Europe’s leading fabric fair, Première Vision Paris, gaining exceptional first hand experience of the industry.

There are also opportunities to intern with some of Italy’s finest mills and manufacturers, to be trained on specialist CAD software, and to have work selected for a curated interiors collection.

TexSelect’s Hero Mentor scheme carries the support forward, linking designers with industry professionals who provide ongoing career mentorship.

Many TexSelect alumni now enjoy high-profile creative roles within the international textile, fashion and interior design industries.

The TexSelect charity is entirely funded by the generous sponsorship of industry, by British charitable foundations, and by individuals.  All believe wholeheartedly in supporting textile design talent and in encouraging design innovation and excellence.

The Designers will  be showing at Première Vision Designs, 19th- 21st Sept and on 20th September 2018 at 15.30 there will be the presentation of the TexSelect Prizes for Colour, Fashion, Pattern and Interiors. Also the presentation of The Woolmark Company TexSelect Award ; the Marks & Spencer TexSelect Fashion Fabric Award; and NEW for 2018: The Worshipful Company of Woolmen TexSelect Design Innovation Award for Wool in Interiors.

Venue: Première Vision Designs, Hall 5, Première Vision Paris, Parc d’Expositions de Paris-Nord, Villepinte.

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Exhibition: Weaving New Worlds

Weaving New Worlds
Dates: 16 June to 23 September 2018 at William Morris Gallery
Open: Wednesday to Sunday, 10am – 5pm; free
Address: Lloyd Park, Forest Road
Walthamstow, London, E17 4PP

Tapestries have always told stories. In this exhibition 16 women artists from the UK, USA, Norway, Canada, New Zealand and Japan weave the stories of our time: the possibilities, the hopes and lost chances. Using the traditional hand woven tapestry techniques that connect us to the past, they have taken contemporary images and events, personal dreams and feelings.

The tapestries range in subject matter, from reflections of rural mythologies, to floods and urban decay. Always at the heart of the work is the human condition, the artists offering us both a utopian and dystopian view – the choice is ours.

Curated by Lesley Millar, Professor of Textile Culture and Director of the International Textile Research Centre at the University for the Creative Arts in collaboration with National Centre for Craft & Design and William Morris Gallery.

Text: William Morris Gallery. Image -  Ripples & Ribes by Jennie Moncur, 2015 ©The Artist

Exhibition: Le Kilt & Norn

Luxury womenswear brand Le Kilt and experimental design consultancy NORN host an exhibition and workshop at The Michael Hoppen Gallery to explore the reappropriation of traditional materials through craftsmanship and its relationship to punk subculture. The opening night event includes discussions with industry stalwarts as well as a Le Kilt pop-up retail space.

The exhibition features a series of installations that look at the relationship between punk and tradition in the context of craftsmanship. Le Kilt works with small-scale manufacturers to create their version of the modern woman’s uniform, whilst also adding new and unexpected design details such as hand-woven patches made from yarn spun in-house. Similarly, NORN places making and the haptic at the heart of its process; exploring the scope of making beyond conventional expectation of hand skills. Continue reading →

Exhibition: Sue Hiley Harris

Sue Hiley Harris
‘Woven and Drawn’
Tuesday 29 May – Saturday 9 June
11 am – 5 pm
Venue: Lansdown Gallery Stroud GL5 1BB

Sue Hiley Harris is best known for the abstract handwoven sculpture she has been making since the late 1990s. This may be understood in relation to constructed abstract art generally, whether two or three dimensional. Material, structure and form are inter-dependent.

The forms are often derived from pure geometric shapes. These may be repeated or become multiple parts of a complete work. Sometimes they allude to natural forms or to life’s continuous natural cycle. The bare upland landscape of the Black Mountains and the Brecon Beacons has, for many years, been important in Sue’s life and has made an impact on her weaving.

In 2013 Sue was awarded a Creative Wales Award by the Arts Council of Wales to ‘explore the possibility of making woven body sculpture’. As part of this exploration Sue returned to drawing the figure from life after a break of almost forty years. This has stimulated an inter-est in drawing in the landscape. The drawings in this exhibition are a direct emotional re-sponse to regular visits to a particular part of Priory Groves, a wooded area near to her home in Brecon.
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Exhibition: Hannah Waldron

‘Primary Traveller’
New works by textile artist Hannah Waldron

‘Primary Traveller’ opens at the Select Festival on 21 April 2018

Hannah Waldron’s new work Primary Traveller is a nomadic modular structure that will house a new body of weavings specially created for this exhibition. Commissioned by and for the Select Festival.

‘Primary Traveller’ is an ambitious new work; a textile installation which will serve as a meeting place for discussion around the role of textiles and tapestry today.

Alongside are retrospective pieces that have previously toured internationally but have never been shown in England.

The space will be a meeting place for discussion on the work, its themes and the larger role of contemporary textile practises within both art and craft production and exhibition ecologies.
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Research: Norwich Fabric | Project Zeeuwsmuseum

Remi Veldhoven, is a textile designer and textile researcher from the Netherlands. She is researching a fabric from around 1750-1800 which was used in traditional clothes in the Netherlands, and produced in the Norfolk area (mostly Norwich), England.

She is working with the Zeeuwsmuseum (Middelburg, the Netherlands)  who will be having some garments made out of this Norwich fabric and they are planning to make an exhibition about this fabric in May 2019.

For this exhibition Remi Veldhoven has been asked to research the production process of the Norwich fabric and to design a new fabric inspired by the old one, using industrial production methods.

From the old fabric, she knows the different steps of the process (a document outlining this can be sent), and for the new fabric she would like to design a similar fabric and compare the industrial production steps, time, costs and people involved with the obtained data and characteristics of the process from the old fabric. Continue reading →