Exhibition: Call for entries

1 February 2016 |
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CITB Welsh Eng logoCMYK 3Craft in the Bay Summer Show 2016: Weave

Cardiff, Wales: Sat, 16. July 2016 – Sun, 11. September 2016
Weave: to form or construct something by interlacing threads, yarns, strands, or strips of some material

An exhibition of selected contemporary craft and applied art  following a ‘Call for Artists’ in early 2016. The exhibition is aimed at celebrating the diverse and highly skilled contemporary craft and applied art being made in the UK today.

The selection panel will be looking for work that has incorporated a woven process in its making/construction. Open to a wide range of materials including yarn, thread, paper, clay, metal, glass, willow etc.

Deadline to receive applications: 5pm, Thursday 31st March 2016

Download Application Form

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Exhibition: Tibor Reich

18 January 2016 |
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4) Tibor infront of Clifford Mill (his mill) 1950This year celebrates the centenary of pioneering designer Tibor Reich, who brought modernity into British textiles. A major retrospective at the Whitworth, Manchester opens 29th January – August 2016, accompanied by a publication ‘The Art of Colour and Texture’ available from March 2016.

His revolutionary designs for fabrics, transformed the appearance of both public buildings and domestic interiors in post-war Britain. Born in Budapest, Hungary in 1916, Reich studied architecture and textiles in Vienna before coming to Britain to study textiles at Leeds University. By the time he graduated in 1941 he was designing for London’s top couturiers including Hardy Amies and Edward Molyenux

In 1946 he set up Tibor Ltd, introducing bright new colours, unusual textures and innovative pottery into the drab interiors of post-war Britain. Based in Stratford-upon-Avon, the firm rapidly gained an international reputation, working on prestigious commissions including the 1951 Festival of Britain, the Royal Yacht Britannia (1954) and Concorde (1966).

His fabrics could also be found on post-war furniture including Ercol, Ernest Race and Gordon Russell.

17)Woven Textile Sample Cards 1950s_2

In 2015 Tibor Reich’s Grandson, Sam Reich, began the huge task of reviving his Grandfathers company, Tibor Ltd. The Weave Shed website played a vital role in this, helping Sam to establish contacts within the industry both yarn and manufacturing and in connecting with future employees.

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Weave Courses – Devon

18 January 2016 |
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Laura Thomas Rule BreakingTwo course are being offered by Laura Thomas and Rosalie Neilson at the Devon Weavers Workshop

Laura Thomas 2 – 4 April 2016
Rule breaking weaving

A workshop that is designed to encourage participants to break the rules of weaving, and push themselves outside of their comfort zones. The workshop will begin with a discussion and exploration of what the definition of weaving is and what the ‘rules’ are.

Participants will discuss what their preferred yarns, colour palettes and usual outcomes are. They will then be encouraged to do the opposite! As many samples as possible will be woven, many of which could then be further processed exploring finishing techniques such as devoré, discharge dyeing, melting, pleating, burning etc.

Weavers will be encouraged to explore ideas unencumbered by the restraints of functionality. Laura will bring a range of weft yarns for students to experiment with, detailed handouts, tools/materials to explore some finishing techniques, plus a portfolio of samples to look at. www.laurathomas.co.uk/

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Exhibition: Malin Bobeck

14 January 2016 |
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IMG_0719mediumThose Who Affected Me

Gothenburg Museum of Art
Malin Bobek
Dates: December 5 2015 – February 21 2016

Those Who Affected Me is an interactive light emitting textile art installation. Suspended in mid air, over 1,5 meters tall, and 2,5 meter diameter, the four winged structure invites the audience to gently touch the textile and reacts by sending colorful ripples up and down the intricate fabric.

The custom designed jacquard textile is using optical fibers connected to about 500 individually programmable color LEDs, connected to a microcomputer. Thin, electrically conducting copper threads are woven in to create touch sensitive areas inside the fabric. The 11 meters of fabric are mounted with steel rods around a steel cylinder.

IMG_9560mediumThe sculpture is exhibited in an small room with tilted mirror walls, creating a distorted universe where the sculpture is multiplied in infinity. The project started off in winter 2015 as an idea of making an interactive fabric.

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Exhibition: Sheila Hicks | Why Not

13 January 2016 |
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05_SheilaHicksSHEILA HICKS | WHY NOT.
Dates:5 March 2016 until 5 June 2016

The Tilburg TextielMuseum is pleased to announce a major retrospective of American artist and textile pioneer Sheila Hicks (1934). Internationally renowned, thanks to her participation in numerous large solo and group exhibitions, this is her first appearance in the Netherlands for many years.

Her colourful work, which ranges from monumental textile installations in buildings to metre-high sculptures and enchanting miniatures, has been making waves since the late 1950s. A varied selection of this free work is on display, alongside industrially produced materials and handmade prototypes.

08_SheilaHicksAttention is also be paid to Hicks’ special bond with the Netherlands. Photos, films, sketches, drawings and personal documents illustrate her peripatetic and productive life. Sheila Hicks | Why Not. features work spanning seven decades, on loan from (inter)national collections, and a piece made especially for this exhibition.

Worldwide
Hicks has been fascinated by art and textiles since she was a child. In the 1950s, she trained as a painter with former Bauhaus teacher Josef Albers. Through his wife Anni, a renowned textile designer, she was introduced to pre-Inca textiles.

After completing her thesis on the topic, she was awarded a scholarship to paint in Chile. During the period she spent in South America, she developed a particular interest in textiles. This interest took her all over the world, from Mexico and South Africa to Morocco and India. Wherever she went, she collaborated and exchanged knowledge with local artisans, artists and businesses.

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Free: large warping mill

5 January 2016 |
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IMG_3145

Large vertical warping mill available for free.

Must be collected from De Montfort University in Leicester by end of June 2016 as the department is moving buildings and otherwise it will be scrapped.

Still in good working order, with a bit of wear and tear. Parts have been sanded down and one of the pegs is a bit wobbly. It is only being re-homed to make more space in the new room.

The board pictured on the top was there to store boxes on top and is not included.

It can make long warps, 20m plus, probably more and is currently dismantled.

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Happy New Year from The Weave Shed

2 January 2016 |
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CIMG0946

Job: Trainee Sales and Design Assistant

18 December 2015 |
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Weaveshed ImageThe Humphries Weaving Company Ltd.

Humphries Weaving is a leading British manufacturer of custom Jacquard fabrics, gaining an international reputation in weaving fine furnishings. With a varied portfolio of works they undertake client led projects for prestigious historical restorations, alongside the high end decorator market. They are looking to recruit a Trainee Sales and Design Assistant to join their team.

The successful candidate will have a degree in woven textile design or have relevant experience in the field. With a professional attitude, the candidate must be able to confidently communicate with colleagues and clients alike. Applicants must have a valid full driving license for client visits. A proficiency in the use of Microsoft Office Suite is desired to carry out office based administration duties. Knowledge of WordPress and social media or a willingness to learn would be an advantage.

Hours of work: 8am to 5pm Monday to Friday (40 hours)
Location: Sudbury, Suffolk
Salary: Depending on experience
Training: Full training provided

Please send your CV and covering letter to fabrics@humphriesweaving.co.uk FAO J. Newman.

Images if desired, to no larger than 2MB

Applications to be received by Friday 22nd January 2016

Job: Weave Lecturer/Senior Lecturer

7 December 2015 |
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Kathryn TourleLecturer/Senior Lecturer in Textiles (Woven)

School of Crafts and Design

Location: Farnham
Salary: £13,430 – £18,566 per annum
Part Time Post: 14.50 hours per week (2 days)
Closing Date: Sunday 03 January 2016
Interview Date: Friday 15 January 2016
Reference: 15-SURR042-0758-1

The School of Crafts and Design at the University for the Creative Arts has a well established reputation for developing talented and creative graduates capable of working at all levels in the textile industry.

An exciting opportunity has arisen at their Farnham campus for a 0.4 Lecturer in Textiles Weave. Their course celebrates all that is rich in textile history, design and making skills. They are acclaimed for their high end craftsmanship, with a new Course Leader and HOS, their vision is to explore new terrain and push boundaries, to stretch their skills and traditions beyond what it is thought possible.

They are looking to appoint an inspirational lecturer who has a deep understanding and experience of teaching Textiles in a HE Environment, including teaching a range of craft and design practices. A deep understanding of specialist dye processes on a variety of yarn/materials and crucially teaching a range of diverse specialist woven techniques, to create traditional high quality weaving, alongside an understanding for more experimental woven structures.

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Job: Lecturer in Weave – Maternity Cover

4 December 2015 |
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Weave Workshop_GSAThe Glasgow School of Art

Title: Lecturer in Weave Vacancy

Description: Fashion and Textiles (0.6FTE) Grade 7 £36,672 – £46,414 per annum pro rata Fixed Term contract until Oct 2016 (Maternity Cover)

Details An exciting opportunity has arisen within their Department of Fashion and Textiles for a Lecturer in Weave within the School of Design. You will provide a challenging and supportive learning experience for students on the Textile Design programme, providing world-class teaching and contributing to the academic development of the School of Design within the overall context and vision of the Glasgow School of Art.

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