Tapestry weaving workshops: Caron Penney

Caron Penney 1 - STOP detail 2A Basic Introduction to Tapestry Weaving
Fashion and Textiles Museum,
83 Bermondsey St, London SE1 3XF
Tel: 020 7407 8664
Tutor: Caron Penney
Dates: 27th March  -  28 March 2014

In this two day workshop students will learn the basic weave techniques used to create a tapestry, these include plain weave, soft diagonals, hatching, blending and shaping.

The course will start with a demonstration of the warping-up process and participants will get experience of this process before starting to weave. By the end of the workshop participants will take home a completed tapestry.

There will be some one to one tuition during the two day workshop which is suitable for beginners – intermediate levels. Time: 11.00am – 4pm each day, this workshop requires a minimum of five students to run.

The workshop costs £160. To discuss the course content please contact the tutor at caron.penney@btinterent.com to book a place telephone 020 7407 8664 or contact the Fashion and Textile Museum through their website. Continue reading →

SIT Designing Craft Crafting Design: Symposium

select logo 2014 FINAL50mmSIT Designing Craft Crafting Design symposium brings together some of the most illustrious names in the fields of contemporary craft and design in a day of discussion and debate examining what the terms ‘craft’ and ‘design’ mean to us in the 21st Century. The symposium aims to be a day of debate and enquiry.

Programme:
Is the division between between Craft and Design relevant today? 10- 11.30 am
The panel
Mary Greensted, Chair of the Gloucester Guild of Craftsmen, Grant Gibson, Editor of Crafts and designers Nick Munro and Simon Pengelly – will discuss this  issue in a thought provoking debate chaired by design writer and SIT blogger Charlotte Abrahams

Wallace Sewell UpholsteryDoes craft have to be man made? 12.00 – 12.45 pm
The panel
Ceramicist Michael Eden, Harriet Wallace-Jones, one half of innovative industrial textile studio Wallace Sewell and maker Susan Early and textile printer Stephen Lewis put their cases in front of chair John Brewer, chair of the Cheltenham Design Festival and Course Leader, BA Graphic Design at the University of Gloucester

Maker Talks 2.00 – 4.00pm
Wallpaper artist Tracy Kendall, textile designer Fay McCaul and design-maker Sebastian Cox shed light on their inspirations and working methods in a series of individual talks.

When: Saturday, May 17th 2014
Time: 9:30 am – 5.00pm
Where: Stroud College, Stratford Rd, Stroud GL5 4AH
Price: Tickets cost £85 Concessions (students/unemployed) £35 inclusive of coffee/tea and organic lunch.
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The Open West 2014 : Call for entries

O_gold_001The Open West is an annual open competition and exhibition inviting work from national and international artists practising contemporary and conceptual art. Work submitted can include Textile, painting, installation, film and sound, photography, ceramics, print, drawing, performance, sculpture, glass, metal and plastics.

Following the success of the 2013 programme, the open west 2014 will be held in the main galleries of The Wilson, the newly opened contemporary museum and art gallery in Cheltenham.

Up to 40 artists will be included in the exhibition, each with the possibility of showing more than one work. the open west 2014 will offer an opportunity for artists to participate in an education programme; residencies; workshops and a day of artists in conversation. A catalogue is published each year.

Three award winners will each be offered £500
2014 selection panel – curators Lyn Cluer Coleman and Sarah Goodwin, together with Anita Taylor and Virgile Ittah

The Wilson | Cheltenham Art Gallery & Museum
Deadline: 10th Feb 2014
Exhibition: 3rd May – 1st June 2014
Artists whose work is selected for exhibition will be notified by Wednesday 19 February 2013

To apply Application Form:
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Happy New Year from The Weave Shed

Ready

Glithero: Woven Song

woven_songs-1169_4Woven Song is a work about making woven textiles from organ music punch cards. Commissioned by the Zuiderzee Museum in the Netherlands, the project bridges the worlds of two craftsmen, a weaver and an organ maker, who in each case use a system of punched cards to inform the behaviour of a machine, a loom or an organ. Glithero worked alongside life-long weaver Wil van den Broek and master organ maker Leon van Leeuwen to understand the techniques of their crafts and learn if it would be possible to translate one coded art form into the other, to in effect, weave music.

The project forms a self-contained exhibition that presents the material outcomes – fabrics and artefacts, and a two screen video projection that documents the story of the project. On one side that of the organ maker and the other the weaver, who’s stories run concurrently. The dancing hands of the craftsmen form a graceful choreography that echo from one screen to the other, focusing on the uncanny resemblances betweens the crafts and the craftsmen’s stories, at times synchronising, overlapping, diverging, and mirroring.

woven_songs-1169_3The use of parallel stories draws attention to common themes, traits, challenges about the preservation of wisdom and heritage. By means of collaboration, Glithero encourage the craftsmen to look upon themselves, their working lives and their legacy from a new vantage point, and by leading them both away from the conventions of their crafts they create new outcomes that are challenging and miraculous. The exhibition not only comprises the final products of this quest, but also the very elements of the quest itself.

Glithero are British designer Tim Simpson and Dutch designer Sarah van Gameren, who met and studied at the Royal College of Art. From their studio in London they create product, furniture, and time-based installations that give birth to unique and wonderful products. The work is presented in a broad spectrum of media, but follows a consistent conceptual path; to capture and present the beauty in the moment things are made.
Continue reading →

Loom available – free of charge

Drapers Loom high resA loom taken apart in 1927  is available from the Drapers Hall in The City of London. The loom is in pieces and is regarded as a fire hazard as it is wooden, so needs to find a new home.

The loom  is in need of a good wipe down and needs to be reassembled, so there are no  details of its width or general dimensions. There is slight rust on the warp shafts at front and rear, but appears to be complete but however, apparently there are no heald frames.

The photo shows the last (and possibly only) time it was used, so can give some indication of size.

The loom is available free of charge to anybody who can provide a good home for the cost and effort of collection in a van. First come first served.

Please contact Professor Julian Ellis julian.ellis@ellisdev.co.uk

 

Texprint weave successes: Elizabeth Ashdown reports

The five Texprint 2013 weavers showcased their diverse collections at the Indigo trade show in Paris in September to great success. Three out of the four Texprint prize winners were weavers and two weavers were selected to take part in a 7-week internship programme in Como, Italy.

Signe Rand EbbesenSigne Rand Ebbesens’ collection was given the Woolmark Award for her stunning fashion collections which use 60% or more merino wool. Signe’s collections of fabrics focus on hand craftsmanship, intricate structures and textures that change appearance and colour in the light. She sold her innovative designs to Lululemon Athletica and Nike and she in now working at Vanners silk mill as a designer.

Cherica Haye

 

 

 

Cherica Haye had a stellar few days in Paris – not only did she sell plenty of her designs, she also won the Texprint Pattern Prize and jointly won an internship in Vancouver with Lululemon Athletica, as well as taking part in a 7- week internship at a mill in Como. The judges celebrated Cherica’s collection for its extraordinary designs and attention to detail, which blend traditional weave structures with contemporary performance fabrics.

Elizabeth Ashdown

 

 

Elizabeth Ashdowns’ innovative mixed-media designs for Passementerie were shortlisted for the Texprint Pattern Prize. Her designs attracted considerable interest due to the level of exquisite hand craftsmanship, a bold and contemporary colour palette and the use of a wide variety of materials ranging from leather to bullion springs. Elizabeth sold work to Cassamance and has recently undertaken a commission to produce a bracelet.

Taslima Sultana

 

 

Taslima Sultana won the Texprint colour prize for her collection of fabrics which have been inspired by how insects use colour, pattern and texture for survival, attraction and protection. Judge Tamsin Blanchard praised Taslima’s fabrics, commenting on her ‘incredibly rich and vibrant designs’ (Texprint 2013).

Ffion Griffith

 

 

 

 


Ffion Griffith
was awarded the Texprint Space prize for her collection of contemporary Welsh blankets and interior fabrics that blend rich colour and innovative pattern placement with traditional methods and techniques. Ffion was selected to take part in the 7-week internship in Como, and on her return to the UK she will be take up a position at Liberty of London’s Fabric Innovation department.

 

The winners of the prizes also exhibited their work at Intertextile Shanghai in October

New weave company: Chalk

Squircle-Outline-Sage-Cushion-50cm-x-50cmChalk launched its first range of woven products in July 2013, at Harrogate’s Home and Gift fair and was awarded “Best New Product” at the show.

Chalk’s founders are Kerry Stokes, an experienced freelance woven textile designer in furnishing and fashion fabrics and Richard Bush who previously ran an interior furnishing business.

Kerry Stokes commented that “We’re delighted at the positive response Chalk has received so far. We’ve loved the whole process from the initial inspiration through to the final photo shoots. It’s immensely complicated and fascinating”

Chalk made  contact with prospective stockists and buyers at the fair, and is now becoming an established company within the home market in the UK.

BannerChalk currently offer a range of woven soft furnishing products, including blankets, throws and cushions, all woven and made in the UK. The products are woven in merino lambswool and are partly inspired by the Sussex land, seascapes and architecture, where their business is based. There are six designs in various colourways, squircle outline, full squircle, beacon, prism, fern and reeds.
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Exhibition: NewVo – Jaymini Bedia

SilkShotFabricJaymini Bedia’s NewVo exhibition debuted at the Oxo Wharf, Southbank London in January this year and has since toured successfully at numerous venues. The exhibition comprises of unique hand-woven textiles and luxury printed accessories.

NewVo at The Digby Gallery will present The Gainsborough Collection and NewVo silk scarves alongside some exciting new work, including The Skyline Series of framed compositions and woven Womenswear fashion pieces.

Jaymini Bedia is a textile designer based in Colchester. Her passion for vibrant colours, textures and beautiful hand-woven cloth inspired her to set up her own company, which takes a fresh perspective on the ancient craft of hand-weaving. Her work fuses contemporary woven structures, traditional hand-painting techniques and sophisticated colour palettes, resulting in an inimitable style and a stunning range of hand-woven fabrics for fashion and interiors.

The Gainsborough Collection is inspired by the machinery of a functioning silk weaving mill – one of the few now remaining in Britain. The collection interprets the nature of the mill in a novel way; the repetitive machinery, winders spinning, jacquard looms moving…and simultaneously captures the delicate, beautiful silk fabrics that these industrial machines create.
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Exhibition: Sound Matters – Ismini Samanidou & Scanner

Ismini Samanidou and Scanner for Sound MattersWeave Waves brings together sound artist Scanner and textile designer Ismini Samanidou seen in the Sound Matters Exhibition at The Stanley Picker Gallery, Kingston University. Scanner & Ismini  are exploring sound, geography and mapping, code, place and scale through textiles and how this data relates to textile-weave structures and musical scores.

The sketchbook of the thinking illustrating the thinking process behind Weave Waves can be seen here

Sound Matters considers the connections between craft practice and sound art. Seven contemporary works have been selected to illustrate ways in which these two distinct practices can collide. Exploring the physicality of sound, the works are characterised by both their sonic properties and materiality. The artists include  Max Eastley, Keith Harrison, Cathy Lane, Owl Project,  Studio Weave, Dominic Wilcox & Yuri Suzuki

The makers and artists represented in this exhibition demonstrate how an engagement with sound also implicates an engagement with matter. Drawn from across creative disciplines, each work is indicative of a different approach: looking to traditional craft heritage and processes such as weaving and wood turning to create new sound forms, playing with shared technologies and language and revealing the sounds of materials.

With its equal emphasis on sound and form, Sound Matters offers a new and multi-sensory engagement with craft, with each work demanding to be heard as well as seen. With works of varying scale and volume, it is as important to listen as to look to fully experience the show.

Continue reading →