Glithero: Woven Song

woven_songs-1169_4Woven Song is a work about making woven textiles from organ music punch cards. Commissioned by the Zuiderzee Museum in the Netherlands, the project bridges the worlds of two craftsmen, a weaver and an organ maker, who in each case use a system of punched cards to inform the behaviour of a machine, a loom or an organ. Glithero worked alongside life-long weaver Wil van den Broek and master organ maker Leon van Leeuwen to understand the techniques of their crafts and learn if it would be possible to translate one coded art form into the other, to in effect, weave music.

The project forms a self-contained exhibition that presents the material outcomes – fabrics and artefacts, and a two screen video projection that documents the story of the project. On one side that of the organ maker and the other the weaver, who’s stories run concurrently. The dancing hands of the craftsmen form a graceful choreography that echo from one screen to the other, focusing on the uncanny resemblances betweens the crafts and the craftsmen’s stories, at times synchronising, overlapping, diverging, and mirroring.

woven_songs-1169_3The use of parallel stories draws attention to common themes, traits, challenges about the preservation of wisdom and heritage. By means of collaboration, Glithero encourage the craftsmen to look upon themselves, their working lives and their legacy from a new vantage point, and by leading them both away from the conventions of their crafts they create new outcomes that are challenging and miraculous. The exhibition not only comprises the final products of this quest, but also the very elements of the quest itself.

Glithero are British designer Tim Simpson and Dutch designer Sarah van Gameren, who met and studied at the Royal College of Art. From their studio in London they create product, furniture, and time-based installations that give birth to unique and wonderful products. The work is presented in a broad spectrum of media, but follows a consistent conceptual path; to capture and present the beauty in the moment things are made.
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Loom available – free of charge

Drapers Loom high resA loom taken apart in 1927  is available from the Drapers Hall in The City of London. The loom is in pieces and is regarded as a fire hazard as it is wooden, so needs to find a new home.

The loom  is in need of a good wipe down and needs to be reassembled, so there are no  details of its width or general dimensions. There is slight rust on the warp shafts at front and rear, but appears to be complete but however, apparently there are no heald frames.

The photo shows the last (and possibly only) time it was used, so can give some indication of size.

The loom is available free of charge to anybody who can provide a good home for the cost and effort of collection in a van. First come first served.

Please contact Professor Julian Ellis julian.ellis@ellisdev.co.uk

 

Texprint weave successes: Elizabeth Ashdown reports

The five Texprint 2013 weavers showcased their diverse collections at the Indigo trade show in Paris in September to great success. Three out of the four Texprint prize winners were weavers and two weavers were selected to take part in a 7-week internship programme in Como, Italy.

Signe Rand EbbesenSigne Rand Ebbesens’ collection was given the Woolmark Award for her stunning fashion collections which use 60% or more merino wool. Signe’s collections of fabrics focus on hand craftsmanship, intricate structures and textures that change appearance and colour in the light. She sold her innovative designs to Lululemon Athletica and Nike and she in now working at Vanners silk mill as a designer.

Cherica Haye

 

 

 

Cherica Haye had a stellar few days in Paris – not only did she sell plenty of her designs, she also won the Texprint Pattern Prize and jointly won an internship in Vancouver with Lululemon Athletica, as well as taking part in a 7- week internship at a mill in Como. The judges celebrated Cherica’s collection for its extraordinary designs and attention to detail, which blend traditional weave structures with contemporary performance fabrics.

Elizabeth Ashdown

 

 

Elizabeth Ashdowns’ innovative mixed-media designs for Passementerie were shortlisted for the Texprint Pattern Prize. Her designs attracted considerable interest due to the level of exquisite hand craftsmanship, a bold and contemporary colour palette and the use of a wide variety of materials ranging from leather to bullion springs. Elizabeth sold work to Cassamance and has recently undertaken a commission to produce a bracelet.

Taslima Sultana

 

 

Taslima Sultana won the Texprint colour prize for her collection of fabrics which have been inspired by how insects use colour, pattern and texture for survival, attraction and protection. Judge Tamsin Blanchard praised Taslima’s fabrics, commenting on her ‘incredibly rich and vibrant designs’ (Texprint 2013).

Ffion Griffith

 

 

 

 


Ffion Griffith
was awarded the Texprint Space prize for her collection of contemporary Welsh blankets and interior fabrics that blend rich colour and innovative pattern placement with traditional methods and techniques. Ffion was selected to take part in the 7-week internship in Como, and on her return to the UK she will be take up a position at Liberty of London’s Fabric Innovation department.

 

The winners of the prizes also exhibited their work at Intertextile Shanghai in October

New weave company: Chalk

Squircle-Outline-Sage-Cushion-50cm-x-50cmChalk launched its first range of woven products in July 2013, at Harrogate’s Home and Gift fair and was awarded “Best New Product” at the show.

Chalk’s founders are Kerry Stokes, an experienced freelance woven textile designer in furnishing and fashion fabrics and Richard Bush who previously ran an interior furnishing business.

Kerry Stokes commented that “We’re delighted at the positive response Chalk has received so far. We’ve loved the whole process from the initial inspiration through to the final photo shoots. It’s immensely complicated and fascinating”

Chalk made  contact with prospective stockists and buyers at the fair, and is now becoming an established company within the home market in the UK.

BannerChalk currently offer a range of woven soft furnishing products, including blankets, throws and cushions, all woven and made in the UK. The products are woven in merino lambswool and are partly inspired by the Sussex land, seascapes and architecture, where their business is based. There are six designs in various colourways, squircle outline, full squircle, beacon, prism, fern and reeds.
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Exhibition: NewVo – Jaymini Bedia

SilkShotFabricJaymini Bedia’s NewVo exhibition debuted at the Oxo Wharf, Southbank London in January this year and has since toured successfully at numerous venues. The exhibition comprises of unique hand-woven textiles and luxury printed accessories.

NewVo at The Digby Gallery will present The Gainsborough Collection and NewVo silk scarves alongside some exciting new work, including The Skyline Series of framed compositions and woven Womenswear fashion pieces.

Jaymini Bedia is a textile designer based in Colchester. Her passion for vibrant colours, textures and beautiful hand-woven cloth inspired her to set up her own company, which takes a fresh perspective on the ancient craft of hand-weaving. Her work fuses contemporary woven structures, traditional hand-painting techniques and sophisticated colour palettes, resulting in an inimitable style and a stunning range of hand-woven fabrics for fashion and interiors.

The Gainsborough Collection is inspired by the machinery of a functioning silk weaving mill – one of the few now remaining in Britain. The collection interprets the nature of the mill in a novel way; the repetitive machinery, winders spinning, jacquard looms moving…and simultaneously captures the delicate, beautiful silk fabrics that these industrial machines create.
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Exhibition: Sound Matters – Ismini Samanidou & Scanner

Ismini Samanidou and Scanner for Sound MattersWeave Waves brings together sound artist Scanner and textile designer Ismini Samanidou seen in the Sound Matters Exhibition at The Stanley Picker Gallery, Kingston University. Scanner & Ismini  are exploring sound, geography and mapping, code, place and scale through textiles and how this data relates to textile-weave structures and musical scores.

The sketchbook of the thinking illustrating the thinking process behind Weave Waves can be seen here

Sound Matters considers the connections between craft practice and sound art. Seven contemporary works have been selected to illustrate ways in which these two distinct practices can collide. Exploring the physicality of sound, the works are characterised by both their sonic properties and materiality. The artists include  Max Eastley, Keith Harrison, Cathy Lane, Owl Project,  Studio Weave, Dominic Wilcox & Yuri Suzuki

The makers and artists represented in this exhibition demonstrate how an engagement with sound also implicates an engagement with matter. Drawn from across creative disciplines, each work is indicative of a different approach: looking to traditional craft heritage and processes such as weaving and wood turning to create new sound forms, playing with shared technologies and language and revealing the sounds of materials.

With its equal emphasis on sound and form, Sound Matters offers a new and multi-sensory engagement with craft, with each work demanding to be heard as well as seen. With works of varying scale and volume, it is as important to listen as to look to fully experience the show.

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Job: Machine and Apprentice House Interpreter

NT purple_160x60Job title: Machine and Apprentice House Interpreter
Salary: £12,304 per annum, pro rata (£6.31 per hour)
Contract: Permanent, part-time (780 annualised hours)
Location: Quarry Bank Mill, Styal, Wilmslow, Cheshire
Reference: IRC9871

About the role
Quarry Bank Mill is one of Britain’s greatest industrial sites. Overflowing with atmosphere of the Industrial Revolution, Channel 4 recently filmed the series, The Mill, here based on its history. From the cotton mill powered by Europe’s strongest working waterwheel to Apprentice House, the safe home built for pauper children, the successful candidate will help bring all the magic of this famous property to life.

Demonstrating weaving techniques on historic machinery and sharing secrets and stories of the Apprentice House, you’ll get people involved in exciting tours of Quarry Bank Mill. The National Trust wants everyone who visits to get a good insight into its history. You will talk about how domestic life was back then and you additionally you will demonstrate skills by spinning thread and woven fabric using our carding, spinning and weaving machinery, while talking to visitors about how it all works. From school sessions to special events, your work will make sure people leave smiling, full of new knowledge and excited to return.

Sharing stories and operating historic machinery, the successful candidate will bring the history of Quarry Bank Mill to life, taking visitors back in time on a tour that they won’t forget.

The role is based on 780 annualised hours so hours worked may vary from month to month but your salary will be paid in 12 equal installments over the year.

Skills required
You will have existing excellent customer service skills, a great imagination and a welcoming smile. Engaging and entertaining, you need to be able to confidently share stories in a way that interests and excites people of all ages, from all backgrounds. An interest in history and textiles would be a real bonus. Do not worry if you’ve never used spinning or weaving equipment before – the National Trust will give you plenty of training but you need to be switched-on, engaged and confident following health & safety regulations. You won’t be afraid to get stuck in, working together with colleagues to give visitors the best experience.

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Looms for sale: Glasgow School of Art

Glasgow School of Art are selling the following 7 looms as they are moving to new premises. If you are interested in purchasing a loom/s please contact: Technicians – Chantal Balmer (Mon/Tues/Weds) and Heather Shields (Thurs/Fri).
c.balmer@gsa.ac.uk or h.shields@gsa.ac.uk
Tel: 0141 353 4603

All looms are available to view now but cannot be collected until November 22nd 2013 and must be picked up from Glasgow School of Art only.

See below for images.
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Deirdre Wood: Peter Collingwood Trust Award Winner 2013

interlocking rings_ Dierdre Wood LRUK weaver Deirdre Wood is this year’s winner of the Peter Collingwood Trust Prize for the most innovative loom based textile. Founded in memory of one of Britain’s most celebrated weavers, this national award was given in recognition of Deirdre’s unique and inventive circular weaving technique that she uses to create woven rings and discs.

Deirdre, who has lived and worked in Winchester for almost thirty years, works as a hand-weaver and dyer creating abstract architectural tapestries using silk, linen, cotton and wool. The new approach to weaving she has devised uses the contrasting properties of linen and silk to create rings and discs. Although the cloth is woven straight, it becomes dramatically curved when cut from the loom and treated by finishing processes.

Strip woven fabric has long been a fascination for Deirdre and on winning the Clothworker’s Travel Award from the Royal Society of Arts, while a student in 1996, she travelled to Mali, West Africa, to study Bogolanfini and indigo textiles produced by the Bamana and Dogon tribespeople. These cloths are strip-woven on simple back-strap looms.

Earlier this year Deirdre was one of three textile artists selected to represent the UK at the 14th Triennial of Tapestry in Poland. After her woven rings were exhibited at the Royal Society of Arts, London, they travelled to Poland where they are now displayed at the Central Museum of Textiles in Lodz, until Nov. 3rd 2013. Deidre Wood website
Deirdre Wood portrait LR

Exhibitions: Modern Makers & Model:Making – Ptolemy Mann

Ptolemy Mann

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 


Ptolemy Mann
will  be showing as part of the exhibition Modern Makers at Chatsworth House this September. Curated by Sarah Griffin and presented by Sothebys, it’s a selling exhibition of contemporary applied art across several disciplines. Exhibitors were invited to make work in direct response to the house and its collection in some shape or form. After several visits Ptolemy created an installation of nine 250 x 70cm artworks called Chromatogenous  (meaning ‘to generate colour’). Dates: 18th September – 23rd December 2013

Each artwork represents a single colour (from left to right; Ultramarine : Aquamarine : Indigo) that is in some way significant within the house and textile archive at Chatsworth.

Each piece is an exploration of deep emotive colour and will be shown in sequence on a long wall within the New Gallery. More details can be seen here.

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