You are browsing the Reseach category



The Experimental Weave Lab Launch: April – September 2022

The Experimental Weave Lab, (TEWL), is the City of London’s first contemporary, innovative, experimental textile weaving season. Curated by Philippa Brock and Elizabeth Ashdown, this six-month season supports an exciting programme of short and long-term weaving residencies, talks, workshops and outreach work culminating in a final exhibition throughout most of September 2022. The season aims to explore the experimental, sustainable and interstitial spaces that weavers work within throughout UK craft, research, art, design and industry. All events will be announced on a monthly basis, from the start of April 2022 on The Experimental Weave Lab website and on instagram @the_experimental_weave_lab

Each resident will be tasked with pushing the boundaries of their practice within their time at the Lab, with the residencies being supported to enable all residents to be able to spend a prolonged period of time researching and developing both new and established approaches to their craft. There are experimental textile workshops being led by Residents of TEWL, Amber Roper and Sarah Ward at The Brady Centre with the ‘A’ Team in April 2022. There will also be a living archive lodged on the website detailing the processes and outcomes at the end of the season.

The Experimental Weave Lab aims to connect with London based events throughout the programme, including London Craft Week, The Crafts Council Make, Make! Craft! Live! and London Design Festival.

Continue reading →

Profile: Alice Fox

Sustainability is at the heart of Alice Fox’s practice. The desire to take an ethical approach has driven a shift from using conventional art and textile materials into exploring found objects, gathered materials and natural processes. Alice gathers the materials that are available to her, testing, sampling and exploring them to find possibilities using her textiles-based skill set and techniques borrowed from soft basketry.

Establishing an allotment garden as a source of materials for her work has provided a space where Alice can experiment, exploring the potential of what grows there, planted and wild, as well as other materials found on the plot. This allowed Alice to really focus on material sourcing and consider self-sufficiency in terms of art materials.

Materials are produced, gathered and processed seasonally and are hard-won: There may only be a small batch of each type of usable material each year. As a result, each bundle of dandelion stems, sweetcorn fibre or hand processed flax is enormously precious by its scarcity and the meaning attached to it through its sourcing and hand-processing. Continue reading →

Profile: Michaela Johnston | Circular Willow

Michaela Johnston works and studies between her rural home in West Wales and London. Her approach to woven textiles is very process based, looking at each element of production and exploring the routes that can be taken using sustainable practices and circular materials. She designs for purpose and thoroughly considers how her textiles will fit into society and how it works alongside the values she has developed as a designer throughout her Textile Design BA.

Michaela is excited by the possibilities of designing with the future in mind and while doing so exploring the processes of the past. Her journey now continues onto the Material Futures MA at Central Saint Martins, UAL, where she hopes to explore further with a broader spectrum of design approaches and the integration of science and technology.

Her graduate project, Circular Willow incorporates all the values she has built up through her BA focusing on designing for purpose, using local production methods and materials. Circular Willow began with the waste bark from a local basket weaver during lockdown that she took through a variety of experimental processes to become a useable yarn, able to hold colour from food waste and plants.

From this she designed multifunctional pocket aprons using layered weaving techniques which incorporated her willow yarn to enable craftspeople to be more mobile while working. The pockets are made from bast fibres, linen, hemp and willow yarn, and dyed with onion, iron, nettle, logwood, and turmeric.

Continue reading →

Funded PhD: Royal College of Art Textiles

Woman stripping bark from a nettle plantA Funded PhD with RCA Textiles, enabled by funding from the late Susi Dunsmore’s foundation.

About the project
The aim of this project is to develop innovative new pathways for the textile-led social development work of Susi Dunsmore. Dunsmore’s textile practice-led approach to community development was holistic in its understanding of the place of the nettle plant in the local environment and culture.

The Nepalese Giant Nettle provides one of the longest bast fibres in the world and is traditionally used in weaving and knitting by the women of communities in the mountainous region of East Nepal. Woven, knitted and other constructed textile products provide supplementary income to subsistence farming. Susi Dunsmore worked with these textile makers and introduced new weave and knit structures, fibre blends and product types to improve income generation through textile making.

Dunsmore’s approach to social impact through co-design integrated an understanding and respect for the lives of the female makers. Her work provides a model for social impact projects through textile making. This research project will simultaneously model and extend Dunsmore’s approach addressing urgent and contemporary production concerns.

Text and image: with thanks RCA

Identity Launch: ReWeave | Here Design | London Craft Week

ReWeave: Textile Waste Transformed

ReWeave is a novel approach to exploring how fabric waste can be transformed into design-led woven textiles on an industrial scale to meet the increasing demand for circularity in designing fashion and textiles.

Led by textile designer Kirsty McDougall, ReWeave is a Hastings-based design studio specialising in woven textiles and product, and supported by the BFTT. The project intends to develop a viable business model for a more circular approach to design and fabrication, and to analyse the environmental impact of repurposing fabrics at an industrial scale.

By exploring new models of textile design, ReWeave aspires to serve as a blueprint for ideas about reuse and repurposing for manufacturers and brands, spearheading industry change.

ReWeave will be at the Hoxton Gallery to launch their new identity created by Here and Kirsty will talk about the processes and ideas behind ReWeave and their collaboration.

Event: Sat 9th Oct 2021
Time: 11.30 – 12.30
Venue: Hoxton Gallery, 17 Marlow Workshops, Arnold Circus, Shoreditch. London E2 7JN
What3words: extend.union.motor
Tickets: To book event click here

Instagram:
@re_weave_
@heredesign

With thanks to ReWeave & Here for text and images

Event: British Textile Biennial 21

British Textile Biennial 2021 returns this year with new artist commissions, exhibitions and performances presented against the backdrop of the impressive infrastructure of the cotton industry in Pennine Lancashire. The Biennial runs from the 1st – 31st Oct 2021

This October, BTB21 turns its attention to the global nature of textiles and the relationships they create, both historically and now, with a major new commission by Turner Prize winner Lubaina Himid, fashion historian Amber Butchart as guest curator, a groundbreaking and  sustainable fashion project with designer Patrick Grant and a collaboration with artist James Fox and actor Maxine Peake. The final element of the programme is announced with C.P. Company Cinquanta, a retrospective of the Italian Sportswear company’s 50th anniversary.

In line with celebrations for the brand’s 50th anniversary, C.P. Company will be taking part in the British Textile Biennial 2021 programme, presenting a retrospective dedicated to five decades of Italian Sportswear, and Massimo Osti’s lasting legacy. Taking place in Darwen, Lancashire, from 1 – 10 October, the display will feature exclusive C.P. Company archive pieces from throughout the label’s illustrious history.

An arrangement of activities will run alongside this exhibition, including student workshops and panel talks, which will include speakers from the brand, as well as respected names in sportswear and casual culture.

With an abiding interest in the history of textiles within both an African and European context, Turner Prize winner, Lubaina Himid will present a major new work responding to the Gawthorpe Textile Collection in Burnley, exploring the histories of industrialisation, female labour, migration and globalisation in the Great Barn at Gawthorpe Hall.

Continue reading →

Job Opportunity: BFTT | Dash + Miller R&D Project Lead

This post is an exciting opportunity for a Post Graduate, or Post-Doctoral Researcher (or equivalent demonstrable industry/research experience) to work as the Research & Development (R&D) Project Lead, facilitating a novel collaborative project, between UAL and Dash & Miller.

You will be employed by the University of the Arts London but predominately working remotely, with some travel within the UK and on-site delivery at Dash & Miller’s premises in Bristol.

The Business of Fashion, Textiles & Technology (BFTT) Partnership is a multi-million pound initiative lead by UAL aimed at accelerating the growth of fashion, textile and technology sector through collaborative R&D partnerships and projects.

Dash & Miller have been awarded funding within the BFTT R&D SME Support Programme. The principal aim of the project is to develop R&D around digital textiles to aid design and communication throughout the supply chain.

They are looking for an individual with flexibility to work at sites in Bristol and remotely, with a thorough knowledge of the digital fashion and textiles landscape, as well as the circularity and sustainability opportunities available within the sector.

You will have a PG qualification in the area of fashion and textiles with a focus on the application of digital within the sector, or equivalent research and/or industry experience.

You will have experience of managing textile supply chains from yarn to finishing, and ideally a knowledge of digital product development within the fashion context gained through research and/or relevant R&D industry work. Continue reading →

Call for Entries: 2022 Experimental Weaving Residency

The Unstable Design Lab is excited to host a call for entries for their second Experimental Weaving Residency. This funded residency will take place in winter/spring 2022 and is focused on developing experimental textile structures and concepts in close collaboration with engineers and scientists at the University of Colorado Boulder.

The Unstable Design Lab is hosting its experimental weaving residency with the goal of developing new techniques and open-source resources that can co-evolve fiber arts and engineering practice.

The chosen resident will work with the Unstable Design Lab, as well as researchers from the University of Colorado, to create a series of samples inspired by challenges currently faced by engineering researchers. For example, shape weaving techniques for creating form-fitting and/or compression garments for counter-pressure spacesuits, integration of power harvesting diodes, compostable or easily reusable textile structures for zero-waste manufacturing, or structures that dynamically fold and unfold to support mechanical structures or soft robotics (to name a few, but not all, possible spaces for experimentation).

Applicants should be open-minded, curious, and above all deeply knowledgeable about woven structures and their behaviours. No knowledge of computer science, electronics, or engineering is required for participation. Continue reading →

Holly McQuillan: Weaving Multimorphic Textile-Forms


When Holly McQuillan began her PhD almost 5 years ago, she knew very little about the process of weaving or its potential to transform her research practice, which was primarily form-focused in the context of zero waste fashion design and pattern cutting. However, her experience at the Department of Design in the Swedish School of Textiles provided access to exciting technology and skillful colleagues, and combined with her inherent curiosity to lead to a body of research that operates at the boundary between weave thinking and form thinking, helping to grow the emerging field of textile-form (or 3D) weaving.

Holly came to weaving through her experience consulting with industry and researching zero waste design practices and pattern cutting. Like weaving, zero waste garment design is inherently an ancient practice that values textiles first and foremost. In contrast the fashion industry values speed and cost first. As McQuillan discovered during one of her PhD case studies, the industry would rather waste 4km of virgin textiles (on a single style and size for a season!), than add a single seam. In response, Holly’s research began to explore alternative systems of garment and form creation, coming to focus on textile-form weaving, which, like 3D (seamless and fully fashioned) knitting, enables the simultaneous and on-demand creation of textile and form.

The majority of 3D woven garments have been developed by textile designers, so Holly was interested to explore the potential of applying a zero waste form-making lens to the design of weave-able 3D forms. Beginning with simple t-shirt forms (one shown below), the experiments in McQuillan’s PhD, “Zero Waste Systems Thinking: Multimorphic Textile-forms”, progressively build a foundation of the textile-form thinking skills needed to construct these complex topologies.

Continue reading →

Job Opportunity: BFTT | ReWeave R&D Project Lead

ReWeave R&D Project Lead  is an exciting opportunity for a Postgraduate or Post-Doctoral Researcher (or equivalent demonstrable industry/research experience) to work as the Research & Development (R&D) Project Lead to facilitate a collaborative project with ReWeave – a woven textile studio based in London and Hastings that has been awarded funding within the BFTT R&D SME Support Programme.

The aim of the project is to develop R&D around sustainable woven textile design and manufacture using industry waste fabrics.

The role involves working collaboratively with Academic Mentors from the Centre for Circular Design and Textile Futures Research Community at University of the Arts London and the Company Lead at the Reweave Ltd.

You can find more information about the role here.

Instagram:@re_weave_

With thanks to BFTT and Kirsty McDougall for text & images

Continue reading →