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Première Vision report: Fiona O’Keefe

Fiona O’Keefe is a second year weave student at Central Saint Martins, University of The Arts London. This is the account of her first visit to Premiere Vision.

LanyardSporting the all-important lanyard and armed with a free guide, Première Vision was at first, and at the very least, overwhelming. Attending the trade fair as part of a class trip, we had been given various tips and tricks to aid our maiden voyage, but negotiating the maze of elevated, opaque stands was something that can only be experienced first hand.

Thanks to an immediate coffee-break and an avid perusal of the surprisingly helpful maps, the day at Première Vision looked somewhat more surmountable. The exhibition halls were vast, but the forums that were scattered throughout each were accessible and offered students a hands-on opportunity to get a feel for what was at the fair.

The biggest forum, situated in Hall 6 Fabrics, boasted a miscellany of mainly-woven samples that were assorted into different trends. Placed side by side, ’Bathrobe’ and ‘Spongey Languor’ attracted much attention as hands reached in from all angles to clutch at the cushiony samples.

Italian mill Mantero Seta had a take on this trend which stood out from their cotton, lilac and chartreuse counterparts. The silk alternative they offered in a blush pink with playful flashes of primary colour created a squashy but sophisticated newness. The feeling here was simultaneously soft and lively.

Teeming It was the vivacity in colour, mood and texture that recurred within another trend titled ‘Teeming’, which visibly proved popular among those who came across it. Clusters of colour dotted in and around graphic shapes cropped up on samples from both Ratti and Malhia Kent who used jacquard weaving to produce busy, illustrative patterns.

This energy extended as far as their stands and at Malhia Kent getting past their front desk was akin to gaining entry at an exclusive night club or fashion show. Large, scribbly and dazzling samples in shades of neon green and glittering gold had been tossed artfully over the walls of the stand, and the constant groups of hopefuls milling around it generated a definite buzz.

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Bonnie Kirkwood: Première Vision

BONNIE KIRKWOOD 2 - CopyBonnie Kirkwood is exhibiting at Première Vision Designs 2015  (previously Indigo) to launch her new spring summer 2016 collection of hand woven designs for the global fashion market. She had previously shown there as a Texprint winner.

This London based textile company , specialises in bespoke woven textile design and fabric consultancy for the fashion and interior industries.

Bonnie’s woven collections illustrate a high awareness of the market, with stimulating use of colour. Her signature styles range from intricate patterns in silks, innovative textures in wool, to finest weaves in linen and cotton. Combined with specific yarn and quality selection,these fabrics have global appeal.

Working internationally for the high end contemporary fashion and interior industries, through appointment and international trade fairs Bonnie offers a diverse service, encompassing design, development and production of woven fabric from commercial through to luxury level.
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Crafts Council Hothouse: Heather Shields

hshieldsloomHeather Shields is a woven textile designer based in Glasgow, who has recently been selected on the Crafts Council Hothouse scheme.

This scheme  is a “free programme of professional support for craft makers, delivered by the Crafts Council and partners and run over the course of six months” (ref: crafts council website). 39 Makers have been selected for 2015 including previously featured on The Weaveshed, weavers Rita Parniczky and Nadia Anne Ricketts.

Graduating with a BA (Hons) in Textile Design from Glasgow School of Art, Heather  went on to pursue an internship with Margo Selby to assist in weaving samples for her book “Contemporary Weaving Patterns”.

On returning to Scotland, Heather took up a part time post as weave technician at Glasgow School of Art. A year later she joined Glasgow Clyde College as a weave tutor and began writing the curriculum for their first weave course in partnership with Heriot Watt university.

Alongside her work in education, she developed a new collection of fabrics and was determined to start up her own textile design business. She participated in Nightriders, an 8 week pilot business programme created by service design company, Snook, and began showing her work at local exhibitions. In December 2014 she was selected to join the Craft Council’s Hothouse scheme for emerging makers.

Her designs combine playful colour palettes with bold pattern and quality craftsmanship. A fascination with contrasts, beauty in the unexpected and unusual juxtaposition has always been at the forefront of her design work. She explores these elements through carefully considered yarn choices and specialist construction techniques to create textiles that celebrate the charm of everyday objects. Inspired by childhood puzzles and games, her latest collection of contemporary homeware uses super soft lambswool and a double cloth construction to create luxurious cushions with a strong graphic edge. Heather’s fabrics evoke a sense of fun and are destined to be covetable statement pieces within the home.

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Exhibition: Dash + Miller / Peta Jacobs

Low res D&M pic 1Counterpoint—design meets art. A showcase of textiles from two perspectives

Exclusive hand-woven textile design samples destined for the catwalk will sit beside mini installations that present space-altering abstract worlds. At first glance they appear poles apart, but both originate from the same source—textiles.

Internationally renowned hand-woven textile designers Dash & Miller will exhibit a compendium of their most current designs, alongside art pieces by Peta Jacobs. This juxtaposition of works will  demonstrates very different interpretations of textile practice and will show at the A&D Gallery, Chiltern Street, W1U 6LY from 13-17 January 2015.

The encounter between high-end design and conceptual art delivers an unexpected linkage that challenges the bounds of textile genres. In their meeting, there are correspondences, such as the use of visual repetition. There are also divergences, particularly in the outcomes.

Each of Dash & Miller’s exclusive miniature textile concepts represents a unique idea of colour, texture and form; artworks usually never seen outside of the industry they inform. Every piece is meticulously woven by hand using both traditional and cutting edge techniques and materials, designed with the sole purpose of feeding ideas to product designers and fabric producers across a vast spectrum of textile related industries.

Peta Jacobs’ artworks invite the viewer to question certainty and perception by presenting shifting views relative to viewpoint. They incorporate vestiges of cloth, along with abstract films, prisms and mirrors. “Peta Jacob’s uses of cloth, mirrors and digital technologies have a magical, alchemic resonance as they enfold and draw us into that borderline space between what we know and what we imagine”, says Lesley Millar, Professor of Textile Culture, University for the Creative Arts.

Counterpoint—design meets art is showing at A&D Gallery, 51 Chiltern Street, London W1U 6LY (nearest tube is Baker Street).

The show runs from Tuesday 13th January until Saturday 17th January.
Opening Hours: Tuesday to Friday: 10.30am to 7.00pm.
Saturday: 10.30 am to 4pm. Continue reading →

Teresa Georgallis & Universal Assembly Unit

bondstreetwindowsThis collaborative project brings together a woven textile designer, Theresa Georgallis with a digital media studio, Universal Assembly Unit to explore a new visual language between textiles and 3D interactive environments.

Collaborating for the first time for this installation, the designers worked together to create a digital fabric that responds to sound inputs.

These sounds were collected from New Bond street – both above and below the surface and they are high and low frequency sounds that humans cannot hear. They are more like vibrations.
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Stephanie Rolph: The Peter Collingwood Trust Fund Winner 2014

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(im)Permanence.

“It is our perception of space that alters the space.
It is consciousness that finds meaning in all spaces.”

This Bryan Lawson quote inspired Stephanie Rolph’s research project: (im)Permanence. The project was part of her final year BA (Hons) Textile Design course at CSM, which was an investigation into the potential for creating rigid, self-supporting woven materials. The materials she  developed were designed to form a modular furniture system.

Her studio practice focuses on the role of textiles within spaces, both architecturally and as products and objects, looking not just at the appearance of textiles but at the form and physical properties. She aims to challenge preconceived ideas on what woven fabrics can be and how they can be used, believing that unusual applications of fabrics can help to redefine the textiles themselves.

Interior textiles are often generally drapes, rugs and upholstery fabrics. There is general feeling that fabrics within space are decorative: a cushion on a wooden chair or the drapes to accent a room. Often then, the textile is an after thought; some consider them less important because of this. Her project set out to see if she could disturb this relationship, creating woven structures that existed both as ornament and have function within a space.
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Beatwoven: Nadia-Anne Ricketts

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As a part of The Southbank’s summer festival The Festival of Love and the London Philharmonic Orchestra’s (LPO) year long festival, Rachmaninoff: Inside Out, Nadia-Anne Ricketts was commissioned to create a textile art piece for the Royal Festival Hall interpreting Rachmaninoff Piano Concerto No. 2. This was used within David Lean’s award winning 1945 love film Brief Encounter, which was screened at the Hall in August, and was accompanied by a newly commissioned orchestral soundtrack played by the LPO itself.

She has also designed  a small capsule collection  of woven textiles with three design variations, which show how one song can be translated into a handful of designs, either literally or abstract. These are currently available to purchase at The Southbank Centre.

At her London design studio, BeatWoven, Ricketts has designed a bespoke audio software program that translates any played music into visual patterns, especially for weaving. “Similar to that of a very granulated, broken down sound wave, it inspects and discovers the patterns happening within the sound wave.”

For the commissioned piece, she started by playing the Rachmaninoff concerto over and over through the software to analyse and become familiar with the patterns. Though the basic colour palette was determined by the interior design of the Royal Festival Hall, where it will be installed, Ricketts also uses her previous performing experience to connect with the music, juxtaposed with extensive research for each song, including the artist, genre, era and story behind its composition, to ultimately choose colour combinations and yarns. “When designing my musical textile pieces I feel that I am expressing my passion for music in a visual way, rather than as a dance performance. The designing and making process becomes my visual music performance”.
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The New Creative Markets Programme: Cockpit Arts

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Cockpit Arts is an award winning social enterprise and the UK’s only creative-business incubator for designer-makers. Since they first started in 1986 they have helped thousands of talented craftspeople to grow their businesses, many of whom have gone on to achieve national and international success.

The New Creative Markets Programme at Cockpit Arts is a professional development programme designed to help designer-makers increase the sales of their work, consider and reach new markets, and achieve greater sustainability. This exciting new programme offers 12 hours of tailored support to give you the confidence and skills needed to develop or diversify your business, and get paid what you’re worth.

Cockpit Arts  work closely with participants to address their most pressing professional needs, and participants will have a diagnostic with a Cockpit Arts Business Coach to help  create individuals own programme. In addition to six essential workshops, we offer a mix of workshops and one-to-one support participants can pick and choose from to improve market understanding and your sales. With our growing pool of experts these sessions will help partcipants expand their market through new routes or products, and underpin this with the essentials.

Essentials include: selling and negotiation, crafting your writing, press & PR, brand development, pricing for the market, and increasing efficiency. Pick and choose from: market development for the retail or art market, exporting, product range development, digital presence, tax for creatives, contracts & intellectual property. Plus the opportunity for one-to-one support from Cockpit Arts’ Business Coaches, talks from industry specialists and networking with other artists/programme participants.
Please note the final programme is shaped based on the needs of the selected participants. Workshops will run approximately bi-monthly from January to June 2015.
Project part-financed by the European Union

This is a call for designer-makers. Apply for a FREE place on this programme to help increase sales and achieve greater sustainability. Deadline 15th October 2014.
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Book: Woven Textiles – A Designer’s Guide

Woven TextilesWoven Textiles - A Designer’s Guide by Sharon Kearley

Weaving is an age-old craft but it has boundless potential. The beauty and joy of weaving a finished piece of cloth can be enhanced by creating your own designs and using the latest ideas and techniques.

This new book explains to the novice how to start weaving textiles, but also develops techniques for the more experienced so they can learn to appreciate colour, patterns and structures, and thereby design their own richly-textured cloth.

As well as practical information on how to get started, Woven Textiles provides:

  • Information on yarns and fibres, and how they can be combined
  • Step-by-step instructions on learning to weave.
  • Guide to weave structures and patterns.
  • Colour, pattern and structure explained.
  • Finishing techniques.
  • Examples of finished pieces by leading weave designers

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Texprint Winners: Paris

2014-09-17 18.30.46-7On 17 September 2014, Nino Cerruti presented prestigious prizes to the exceptional British-trained textile design graduates selected to exhibit under the auspices of Texprint at Indigo/Première Vision.

Nino Cerruti said, “The world is full of crazy artists – but we are industrial designers. We must be artists and designers.

The creative and imagination skills need to translate back into clothing and real applications. It is so pleasing to see that the next generation of designers selected to exhibit at Texprint 2014 understand the commercial imperatives that underpin successful design.”

Eminent representatives from the worlds of fashion, interiors, specialist textiles and retailing selected four highly talented graduates from British universities for prizes in the Colour, Pattern, Space and Body categories. 24 designers were in contention for the Texprint prizes, as well as The Woolmark Company Texprint Award and, new for 2014, the Miroglio Texprint Award for Digital Innovation. lululemon athletica had already announced the names of 2 winners. The winning designers each received £1000.00

Barbara Kennington, Chairman, Texprint said: “This exciting new edition of the Texprint showcase at Indigo/PV offers both fashion and interiors industries the opportunity to view the collections of rigorously selected ‘best of the best’ graduate textile designers, all trained in Britain. Their work is unique, exclusive, totally fresh; as designers each is highly talented, professional, and ready to take the textile industry by storm!”Nino Cerruti (Lanificio Fratelli Cerruti) and Agi Mdumulla and Sam Cotton of menswear brand Agi & Sam judge The Woolmark Company Texprint Award (2)

TEXPRINT® AWARDS 2014
The Texprint prizes were awarded as follows:Space: Georgia Fisher
Georgia Fisher completed an MA in Textiles: Weave at the Royal College of Art, having previously gained a BA in weave at Central St Martins. She was awarded bursaries in 2013 and 2014 from The Worshipful Company of Weavers and won the 2014 Jaeger competition. She gained work experience with The Jackson. Continue reading →