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TMO: The Mars Odyssey. Alexandra Lucas

_MG_9013Alexandra Lucas’s TMO: The Mars Odyssey, is a conceptual collection of Jacquard and Dobby woven conceptual fabrics that make up the six protective layers of a Mars Exploration Suit.

Her work can be seen at The Lethaby Gallery, London N1c 4AA within   ‘The Intelligent Optimist’ Exhibition,  a London Design Festival event 2015. 19th Sept – 17th Oct 2015.

Alexandra has woven concept textiles for: a radiation layer, 3 pressure layers, an oxygen and temperature layer, as well as a sensory membrane layer which detects the biometrics of the body.

She anticipates that after a period of time human bodies would start adapting to the conditions of Mars. Thus, if a layer is no longer needed it could be taken off to reveal the next layer. In the end,  the Mars Exploration Suit would enable humans to evolve and adapt over time and the suit itself would be no longer needed.

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London Design Festival

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London Design Festival starts on Sat 19th Sept 2015. See the website for many events, fairs & projects happening all over London. Fairs include: Decorex International, Design Junction, Tent London, 100% Design

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Call for Entry: The Cordis Trust Prize for Tapestry

Anne Naustdal – Arid LandscapeFollowing the success and great critical acclaim of its first year, Visual Arts Scotland would like to announce the return of their major prize for woven tapestry, generously donated by the Cordis Trust.

The Cordis Trust Prize for Tapestry will be awarded at their annual exhibition in February 2016. The submission, open to professional tapestry artists worldwide is for a large tapestry, hand woven by the artist within the last five years. There is a prize of £5000.

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Áine Byrne: Texprint Weave 2015

1-1RCA graduate Áine Byrne is a woven textile maker and designer from Dublin, Ireland.

Inspired by the use of bright pigments used in Mexican Day of The Dead ceremonies and the sometimes irreverent approach to death in the Irish wake tradition, her work sounds dark but is actually playful and uplifting.

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Competition: Bristol Tweed

Farm8byAlexIngram2014-2low resBristol Cloth have launched an open competition to design a Tweed for Bristol. The cloth will be a 100% wool fabric of classic heritage-inspired design, prioritising locally sourced materials and manufacturing processes from the South West of the UK.

Design Brief
What does Bristol’s social fabric look like?
What kind of cloth does Bristol need?
How would you weave Bristol?
What woven designs were traditionally borne out of the South West?

The winning Bristol Cloth design will encapsulate the  very diverse city, while also referencing traditional woven design. Participants will choose their own starting point from which to explore a design theme and follow Bristol Cloth’s Instagram for inspiration.

The Bristol Cloth will be broadly and commercially appealing to local designer-makers, local brands and retailers as well as the general public with end use being for accessories, outerwear and/or interiors.

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Resource: The Weaving Communities of Practice Website

Fig1The Weaving Communities of Practice website, the result of an AHRC-funded project on textiles, culture and identity in the Andes, provides a great resource for anyone interested in Andean textiles and an inspiration for textile designers. The database is easily searchable around a number of themes and provides high-resolution full colour images of textiles from collections around the world.

The project is based at the Centre for Iberian and Latin American Visual Studies (CILAVS) and the Department of Computer Science and Information Systems at Birkbeck, University of London, with the Instituto de Lengua y Cultura Aymara (ILCA), in La Paz, Bolivia, in partnership with museums in the UK, Bolivia, Peru and Chile.

The principal feature of this website is a database of Andean textiles. Using the Textile Product Search, you can:

  • Search the database by key terms
  • View high-resolution images of textiles from collections around the world
  • Make thematic searches: on structure, technique, place, region, period, material and iconography
  • Make advanced searches, crossing and filtering data
  • Save text, images and searches
  • Print, export and send data

There is also a detailed guide to processes of textile manufacture, including images and video clips of techniques, instruments and structures; a glossary of textile-related terms in English, Spanish and Andean languages; an introduction to textile heritage; and bibliography.

Text and images: Weaving Communities of Practice website

 

 

 

British Council & Anou: Open Call for Residencies

201408_BC_Common_Thread_Project_009_jpg_940x528_q85_upscaleThe British Council and Anou are launching an open call seeking 3 UK-based design and craft practitioners for the second round of the Common Thread residencies.

The residencies will take place over a period of 3 weeks, when the residents will live in the High Atlas Mountains with artisans who are part of the Moroccan e-commerce artisan-led platform Anou. Residents and artisans will lead workshops and share their practices with each other in this exciting opportunity.

201408 BC Common Thread Project 049This residency is for UK-based practitioners. Applicants from design and craft backgrounds are preferred, though applications from other practitioners will be considered.

Residents will be given the opportunity to learn from artisans working across weaving, leather, jewellery, woodwork, ceramics and metalwork.

2015 residencies will run from approximately 10 – 31 August.

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West Dean Tapestry Symposium

Black Cat for Tracey Emin woven at West Dean Tapestry StudioSymposium: What is handwoven tapestry’s place in contemporary art?
Date: Friday 31 July 2015
Venue: The Old Library, West Dean College, West Dean, Chichester, West Sussex
Time: 11.00 – 17.00
West Dean Tapestry Studio, one of only two commercial studios in the UK, has announced a Tapestry Symposium to be held at West Dean College, internationally renowned for Creative Arts and Conservation. The symposium will explore the status of hand woven tapestry within the context of contemporary art and craft practices.

Lesley Millar Portrait2 Photo Credit - Damian ChapmanSpeakers include; Professor Lesley Millar, Director of Anglo Japanese Textile Research Centre at the School of Craft and Design;

Yvonna Demczynska, Founder and curator of Flow Gallery in Notting Hill, a consultant for the Crafts Council.

“A distinct feature of art can be its immediacy,” says Alison Baxter, Head of Creative Enterprise, West Dean Tapestry Studio. “Hand weaving is a time-rich creative practice and by its very nature the making of a tapestry is a lengthy, highly skilled process. Hand weavers are producing complex and innovative pieces.”

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London Craft Week

Daniel Harris at London Cloth CompanyLondon Craft Week  6 – 10th May 2015 is a new annual, not-for-profit event which showcases exceptional craftsmanship through a journey-of-discovery programme featuring hidden workshops, celebrated makers, other lesser known makers and highly specialised skills alongside famous shops, galleries and luxury brands.

Founded on the ethos of making, London Craft Week aims to put craftsmanship at centre stage of the world’s creative capital by introducing the talent, people and techniques behind beautifully made things to a wider audience. They will be able to experience craft not just as static branded objects in smart shops but understand the context of how they were made, why they are special and even have a try themselves.

Weavers involved in London Craft Week include :

Daniel Harris, who set up The London Cloth Company in 2010,  has single-handedly sourced, rebuilt and restored numerous power looms of historical significance dating from as early as 1870 to 1970. Since then the London Cloth Company has grown into a renowned international brand, supplying a range of cottons and woollens to top designers.  He will set up a power loom and be weaving at DAKS, 10 Old Bond Street, London W1S 4PL, on May 7th 2015 from 10.30am – 17.00

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Exhibitions & PhD: Barbara Jansen

3 - temporal patterns - colour flowBarbara Jansen will be displaying two projects (physical prototypes): “rhythm exercise” and “Sinus 64 + blue” at Techtextil Fair in Frankfurt on the stand from Smart Textiles/University of Boras, stand 3.1 C76, 4th-7th May 2015.

She will be on site on 4th-6th May. She will also give a lecture on  her PhD research at Elfack Fair in the Light Forum at the Swedish Exhibition and Congress Center in Gothenburg 7th -may 2015.

Temporal patterns – Solo Exhibition.
Textile Museum Boras, Sweden. 17th February – 29th March

7 - temporal patterns - Sinus 64 + blueIn this exhibition, textile designer Barbara Jansen presented her PhD thesis, in which she investigated the visual effects of movement using light as a continuous time-based medium. The textiles displayed in this exhibition showed a varying range of examples which explore aesthetic possibilities of how light can be integrated as an active part into textile structures. Thereby ranging from weaving, to knitting and braiding techniques, both hand crafted, as well as industrial produced.

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