Josephine Ortega
My project investigated the perception of ‘comfort’ and culminated in concept proposals for transport seating. In order to define this abstract notion, I explored where and when people feel at their most comfortable through a questionnaire. The documentation of these answers through photography allowed for the visualisation of comfort to become more transparent, which ultimately meant that the concept of ‘comfort’ could become tangible and definite, making it easier to depict. The main visual inspiration taken from an individual’s home and swimming pool were translated into the designs through extracting elements that referenced colour, pattern and yarn choice.
Central Saint Martins, University of The Arts London.
My collection of handwoven fabrics was initially inspired by modern architecture. After drawing and creating collages from photography of buildings around Glasgow and Edinburgh, it became apparent that some of my drawings were very graphic whilst others were more painterly; this led to me exploring the idea of developing fabrics that contrasted graphic and painterly qualities.
I identified weave structures which allowed me to play about with geometric patterns and shapes, and used different blends of colours and yarns to achieve the more painterly aspects identified from my drawings. The final collection is a range of fabrics intended for interiors, woven from silks, soft cottons and lambswool yarns.
















